Green Artist. +updated 3/13/2023

Green Artist
Artist Born for the Green Movement.
It all started on a landfill in Tampa.

GOOGLE HONG KONG WILLIE

Could you be the one to Help tell the story of Hongkongwillie? After you Google the life and times of Hongkongwillie,and you feel this life and story has social impact. Help spread and make it go viral. The story is important,not the person. Thanks joe.
Green Movement. Art site click link 

John 3:16

King James Version (KJV)

 ¹⁶For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life.

MY FOX TAMPA BAY

Hongkongwillie (joe brown) living on a landfill,(county dump) on gunn hwy Tampa Florida.


Hong Kong Willie Reuse Artist. Artist of the 60’s in the now. Acclaimed Famous Florida folk artist, Living the Life of using objects for many uses. Follow the travels of life.

University of South Florida

 A "documentary film" 

Artist Born for this time, Lived on a landfill as a child. Reuse Became the way of life. To read the story from the inception of the Name Hong Kong Willie. Famed, by the humble statements from the Key West Citizen, viable art from reuse has found its time. To Live a life in the art world and be so blessed to make a social impact. Artists are to give back, talent is to tell a story, to make change. Reuse is a life experience.

Hong Kong Willie. The name of the artist. In 1958 his mother took Hong Kong Willie to an art class. The name started then. An art teacher when doing crafts out of Gerber baby bottles, made a statement, in Hong Kong reuse was common. At that time he thought this was very interesting. His father had low-land, at that time landfills were common also. The county had told Hong Kong Willie’s father, it was safe, but as we now know this was not so. Something can come from bad to be good. Hong Kong Willie the name came from that art teacher impressing on that young mind that objects made for one use could be for many other uses. Hong Kong for the neat concept. Willie for an American name. So for many years Hong Kong Willie had a life of reuse. Hong Kong Willie saw forms in a different light, His life now was meaningful, knowing this was and would be his life. Art made from found objects, making less of a footprint on this world. Art and art teachers, HOW IMPORTANT. For the ones that have, and the ones who have not. Media can be found. Now 50 years later, we know now being green is important. We need to look at this very carefully. Our children and our world need a different understanding. Objects can be used in many different ways. Hong Kong Willie the tons of objects in his life that have been used, without much change, So for that art teacher what she did for my life. Thank You. I still have the Gerber baby bottle till this day. Hong Kong Willie.

This is a excerpt from a study  of the landfill," dump" that Hongkongwillie live on.. Follow this link
Gunn Highway Landfill
The Gunn Highway Landfill is located off Gunn Highway in Tampa, Hillsborough County, Florida. The county operated the landfill as a trench-type facility for the disposal of MSW from 1958 to 1962. The landfill disposal areas occupied approximately fifteen acres. After the landfill was closed, the property was subdivided and developed. A total of thirteen apartment buildings and a clubhouse were constructed over the waste-filled areas of the landfill. According to an investigation report by a consulting firm, see Geraghty & Miller (1996), the foundations for these structures were built as follows:
The complex is founded on timber piles and post-tensioned concrete structural slab systems due to the subsurface conditions. The construction drawings approved by Hillsborough County for the apartment complex indicate that a synthetic membrane was to be installed beneath the slabs to block and disperse the migration of methane gas, generated by the decomposition of solid waste.
Even though efforts were made during construction to prevent methane gas generated by the waste from seeping into the structures, problems were discovered in the late 1980's. In addition, differential settlement of the waste has resulted in cracks in the overlying structures in spite of the attempt to establish an adequate pile foundation system for those structures.
Numerous investigations have been conducted at the property evaluating whether methane gas has migrated into the on-site structures and evaluating the potential for the gas to migrate off-site through utility trenches containing electrical conduits, sanitary sewers and stormwater pipes. Some gas monitoring data report methane gas concentrations in the soils at levels significantly higher than 100 percent of the lower explosive limit (LEL) for methane. Methane gas has consistently been detected under the slabs at the clubhouse and at many of the apartment buildings. Fortunately, methane gas has not been detected in the first floor apartments. Additional ventilation has been added to on-site structures and concrete floors have been resealed to try and minimize the risks from methane gas accumulation. While investigators now believe that the levels of methane gas are decreasing at the site, indicating that the Gunn Highway Landfill may have passed its peak methane generation rate, gas monitoring is still continuing and is likely to be required for many more years.

Charlie's World Fox News

Tampa gallery practices the art of creative reuse

By Kerry Schofield


The year was 1958. Joe Brown, 8, lived next to a county dump site in Tampa, Fla. Brown found old junk, fixed it up and sold it. Brown knew he had a higher calling in life — he was destined to be an artist.

Brown, who is now 60, makes art from trash at his Hong Kong Willie Tampa Art Gallery. He has embellished the outside of the gallery with splashes of Caribbean-color paint and found objects reminiscent of Key West.

Brown is as colorful as the gallery — he wears a bright tropical shirt with red, white and blue plaid shorts. Patrons tell him they can smell the salt water when they drive up. The gallery, however, is perched inland near Morris Bridge Road and Interstate 75 where a rusty-hair hen named Fred, first thought to be a rooster, patrols the property. Fred, abandoned five years ago by tourists, trots between the gallery and adjacent hotel leaving a trail of droppings behind her.

Brown lived on the Gunn Highway Landfill in Tampa from 1958 to 1963. The Hillsborough County landfill operated for four years and was closed in 1962. “It was astounding how quick they could fill the 15 acres in pits that were enormous,” Brown said.

An apartment complex now sits on top of the old landfill. A report by the Florida Department of Environmental Protection indicated that a lining was placed underneath the complex when it was built to block methane gas from leaking. The gas is a byproduct of rotting garbage.

 As a child, Brown lived on his father’s dairy and beef farm. Brown said during heavy rain, the low land on the farm flooded the neighboring Gunn Highway. In 1957, Hillsborough County officials offered to elevate the low land to stop the flooding by turning it into a landfill. When the property was sold in 1984 by Brown’s father, soil testing revealed heaps of old paper and punctured cans of spray paint.

“They dug up and took out newspapers like the day they were put in,” Brown said. “It reminded me of nuclear bombs that were going to go off. They dumped everything in the landfill.”

As a child, Brown foraged at nearby dumpsters. County workers saved junk for him that people dropped off. One day, Brown’s parents got a call from his elementary school teacher and told them that Brown had $100 in his pocket and that he must be stealing.

Brown picked up the saved junk after school and turned it into something new. Contrary to his elementary school teacher’s accusation, he wasn’t a thief after all. Instead he was a young entrepreneur who sold other people’s trash.

“There was so much excess coming into the landfill,” Brown said. “There was so much waste from our society.”

However, Brown’s mother wanted him to pursue his talents and dreams, not money. But he developed a business sense during his young junk collecting days and told his mother, “I’m not going to be an artist. I’ve read that artists starve to death.”

Brown’s mother became concerned. He said his mother knew “the value of happiness and the travels of life” and sent him to a summer art class.

The art teacher inspired awe in Brown. She taught him how to reuse baby food jars by melting the glass and adding marbles to the mix to create paper weights. The teacher had traveled to Hong Kong, China and Hiroshima, Japan after World War II. She saw how people were forced to recycle and reuse items out of necessity after the war. This left an impression on Brown.

It was at this time that he personified the name Hong Kong Willie, which harkens back to China where the mass production of merchandise occurs. The “Willies” are people like Brown and other environmentalists who try to reuse trash instead of throwing it into landfills.

After high school, Brown went to college to study business but dropped out after three years. He worked in the material handling industry until 1981. Although Brown had achieved a successful career and lifestyle, he had become discouraged in 1979.

“The change came from knowing that I had come to the point of what people call success,” Brown said. “I wasn’t happy inside.”

He had been diagnosed with depression in 1973, a condition that was caused from high fructose intake and that lasted for more than four years.

In 1985, Brown and his artist wife, Kim, bought the half-acre property off Fletcher Avenue and Morris Bridge Road. For two decades the two small wooden shacks, built around 1965, that now house the gallery operated as a bait and tackle shop.

Nowadays, Brown raises and sells worms by the pound mainly for composting. He recycled 250 thousand pounds in the worm bed in 2009. Brown still sells the worms for $3.50 a cup for fishing.

In 1981, Brown resurrected the Hong Kong Willie name from his childhood art class. In the early 1980s, both he and his wife, Kim, began upcycling trash into art. Brown entered another world when he left his mainstream lifestyle behind — he joined the art scene and booked rock bands at the same time.

The Brown family spent half their time in Tampa and the other half in a small home on Boot Key Harbor in Marathon. Brown gained the reputation of the Key West lobster buoy artist.

“I had a total different appearance when in Key West,” Brown said. “I used to have hair down to my waist.”

When Brown came back to Tampa, he lived in the woods for months at a time, much like Henry David Thoreau in “Walden,” who had lived a simple lifestyle in a one room cabin near Walden Pond in Concord, Mass.

Back in Key West, Brown became friends with local fishermen. He and others organized efforts to clean up plastic foam buoys that had collected in the waterways from years of fishing.

“You would go and find buoys floating in the mangroves, up on the shore and they had trashed up everything,” Brown said.

The Earth Resource Foundation reports that plastic foam is dumped into the environment. It breaks up into pieces and chokes animals by clogging their digestive system.

Brown sells the buoys from the Hong Kong Willie Art Gallery for $2.00 a piece. He said he has sold from 30 to 40 thousand buoys in the last ten years. Some of the buoys are more than 50 years old and are collected by tourists from China and Japan.

“If you go to the Keys right now and you see a buoy floating, you’ll see someone slam on the brakes to get it,” Brown said. “They’re the most prized buoys of the world.”

Brown made a holiday buoy tree 12 years ago from the Key West buoys. Hundreds of buoys are strung on rope and wrapped around a utility pole next to the gallery. Brown hopes the novelty of the buoy tree will inspire and stimulate children to find new ways to reduce, reuse and recycle garbage.

In Kate Shoup’s “Rubbish! Reuse Your Refuse,” the author said much of what we get is designed to be scrapped after only a few uses. We easily throw away pens, lighters, razors and dozens of other items. Shoup said Americans consume 2 million plastic drink bottles every 5 minutes.

Likewise, Brown finds uses for items that would otherwise end up in a landfill. He buys used burlap bags from coffee and peanut producers. He sells them to the U.S. National Forestry Service for the collection of pine seeds and Samuel Adams for hops production.

Brown and his wife, Kim, also make art hippie bags from the burlap sacks and sell them in the gallery. Kim, also an artist, paints fish, turtles, crows, parrots and the like on driftwood and on wood that Brown has salvaged from saw mills and from old buildings in Key West.

Brown said art is viewed and appreciated by certain people. “If it all came out the same, it would be like bland grits all the time,” Brown said. He likes to refer to the gallery art as reused rather than recycled, which takes waste and turns it into an inferior product.  Reuse on the other hand involves remaking an item and using it again for the same intended purpose.

“I also try to stay away from imprinting a definite use for a definite item,” Brown said. He explains that 2-liter bottles are not limited to making bird feeders. The bottles can be used for art and craft projects as well.

Brown said the larger message he wants to communicate is that the disposal of garbage today is creating a toxic environment.

 “I still have the original Gerber baby food bottle that I melted” Brown said. “It’s sitting on my mom’s little table.”

Hong Kong Willie photomontage

I'm working on a feature story about Hong Kong Willie aka Joe Brown and family who are reuse artists. I recently spent some time interviewing Joe Brown at his studio in Tampa, Fla. We had a pleasant talk about his working gallery. We sat outside and there was a nice breeze, although it was a warm sunny day still here in Florida. Join me in the midst of writing the story. I took a few pictures to share with you. Enjoy. 

Hong Kong Willie family art gallery.

Reuse artists from the 1960s.

Morris Bridge Road and Interstate 75, Tampa, Fla.

The garden shrubbery consists of recycled glass bottles and aloe vera plants.

Hong Kong Willie holiday buoy tree.

Hundreds of lobster buoys from Key West, Fla., strung on rope,

wrapped and tied to a utility pole.

Hong Kong Willie orange helicopter that once served in

Vietnam and later used by a radio station.

Hong Kong Willie.

Key West lobster buoys hang from the small 1950s wood frame building.

Tourists buy the buoys for souvenirs. Some of the buoys are 50 years old.  

Hong Kong Willie.

The exterior of the roadside building is an artful blend of

Caribbean-color paint and found objects.

Hong Kong Willie.

Seabird plaques, sea glass, melted bottles, painted driftwood

and rusty objects are a few of the items that decorate the wood panels.

Entrance into the small building, which is lined from ceiling to floor

with burlap sacks from South American coffee roasters.

Hong Kong Willie.

Joe Brown and family also composts and sells worms.

Hong Kong Willie.

Patrons buy worms for fishing and composting.

They also buy South American burlap coffee bean sacks. 

Hong Kong Willie reuse artists ,reuse the burlap

and make hippie beach bags.

Hong Kong Willie reuse artists use old clothes, buttons, baseball leather and

yarns to sew and decorate the burlap bags.

Posted by Kerry Schofield 

View photographs of the Hong Kong Willie art gallery
http://kerryschofieldjournal.blogspot.com/2010/09/hong-kong-willie-photomontage.html

Famous Tampa Artist

Black Bird of Key Largo

$98,000 To buy click this link

"Black Bird of Key Largo"

The allurement of the winds blowing in the palm trees and the moon shining through and the "Black Bird of Key Largo" looking upon.
Hong Kong Willie



**HONG KONG WILLIE artist Kim Brown, chose aged Florida sawmill stock as canvas. Recovered Brass Hanger: Key West lobster trap rigging. Originally connects and suspends rigging of spiny lobster traps in Key West waters. Candy-like appearance due to multiple protective layers. Assigned number in artist register by Fisherman ID tag, corresponding burn-etched # rear of piece. Key recovered by Robert Jordan, acclaimed treasure hunter: also in identification of piece and artist.


Dimensions:
24" L
8" W
4" H
Weight: 17+ LB

New Tampa Patch 

By Tristram DeRoma 

The Story Behind the Eye-Catching Art at I-75 Exit 266 Tampa Florida

Folk artist Joe Brown, better known as "Hong Kong Willie," makes art with a message at his home/studio near I-75 Exit 266 Tampa Florida.

 

Sometimes, it’s the smallest experiences that have the biggest impact on a person’s life.
While attending an art class in 1958 at the age of 8, Tampa folk artist Joe Brown recalled being mesmerized by the lesson. It involved transforming a Gerber baby bottle into a piece of art.
“The Gerber bottle had no intrinsic value at all,” he said. “But when (the instructor) got through with me that day, she made me see how something so (valueless) can be valuable.”
By the time class was over, Brown learned many other lessons, too, such as the importance of volunteerism, recycling, reuse and giving back to the community. He recalled being impressed by the teacher's volunteer work in Hiroshima, Japan, helping atomic bomb survivors.
"One of the last words she ever spoke to me about that was, ‘When I left, I left out of Hong Kong,’ ” he said. After turning that over in his young brain for awhile, he decided to use it in a nickname, adding the name “Willie” a year later.
You've probably seen Hong Kong Willie's eye-catching home/gallery/studio at Fletcher Avenue and Interstate 75. But what is the story of the man behind all those buoys and discarded objects turned into art?
Brown practiced his creative skills through his younger years. But as an adult, he managed to amass a small fortune working in the materials management industry. By the the '80s, he left the business world and decided to concentrate on his art. He spent some years in the Florida Keys honing his craft and building his reputation as a folk artist. He also bought some land in Tampa near Morris Bridge Road and Fletcher Avenue where he and his family still call home.
Brown purchased the land just after the entrances and exits to I-75 were built. He said he was once offered more than $1 million for the land by a restaurant. He turned it down, he said, preferring instead to make part of the property into a studio and gallery for the creations he and his family put together.
And all of it is made of what most people would consider “trash.” Pieces of driftwood, burlap bags, doll heads, rope — anything that comes Brown’s way becomes part of his vocabulary of expression, and, in turn, becomes something else, which makes a tour of his property somewhat of a visual adventure. What at first seems like a random menagerie of glass, driftwood and pottery suddenly comes together in one's brain to form something completely different. One moment nothing, the next a powerful statement about 9/11.
One Man's Trash ...
Trash? There is no such thing, Brown seems to say through his art.
He keeps a blog about his art at hongkongwillie.blogspot.com. He also sells his creations through the Website Etsy.com.
In his shop, he has fashioned many smaller items out of driftwood, burlap bags and other materials into signs, purses, totes, bird feeder hangars and yard sculptures.
He sells a lot to the regular influx of University of South Florida parents and students every year who are are at first intrigued by the “buoy tree” and the odd-looking building they see as they take Exit 266 off I-75.
Brown Sells More Than Art
Of course, the real locals know Brown’s place for the quality of his worms.
If there’s one thing that Brown knows does well in the ground, it’s the Florida redworm, something he enthusiastically promotes, selling the indigenous species to customers for use in their compost piles. Some of his customers say his worms are just as good at the end of a fishing hook, though.
“To be honest, what made me come here is that they had scriptures on the top of his bait cans,” said customer John Brin. “Plus, they have good service. They’re nice and they’re kind, and they treat you like family.”
Though Brin knows Brown sells them mostly for composting, he said they are great for catching blue gill, sand perch and other local favorites. He also added that he likes getting his worms from Brown “because his bait stays alive longer than any other baits I’ve used.”
For prices and amounts, he has another blog dedicated just to worms.
Of course, many people also stop by to buy the smaller pieces of art that he and his family create: purses made of burlap, welcome signs made of driftwood, planters and other items lining the walls of his store.
He’s also helped put his mark on the decor of local establishments too, such as Gaspar’s Patio, 8448 N. 56th st.
Owner Jimmy Ciaccio said that when it came time to redecorate the restaurant several years ago, there was only one person to call for the assignment, and that was his good friend Brown.
"I’ve known Joe all my life, and we always had a good chemistry together,” Ciaccio said. "He’s very creative and fun to be around, and that’s how it all came about.”
Ciaccio says he still gets compliments all the time for the restaurant’s atmosphere he created using the “trash” supplied by Brown. He describes the style as a day at the beach, like a visit to Old Key West. “They’re so inspired, they want to decorate their own homes this way,” he said.
It’s that kind of testimony that makes Brown feel good, knowing that others, too, are inspired to create instead of throw away when they see his work. He simply lets his work speak for itself.
“Somebody once told me to keep telling the story and they will keep coming," he said, "and they always do."

www.codegreencommunity.org/photo/albums/famous-tampa-gree... www.google.co.uk/#hl=en&cp=31&gs_id=3t&xhr=t&... www.facebook.com/pages/Tampa-Green-Art-Galleries/10950485... www.hongkongwillie.org/?p=19655 www.google.ca/#hl=en&cp=31&gs_id=3g&xhr=t&... hk.search.yahoo.com/search;_ylt=Axt7wJTctIlOQxsA_Veyygt.;... www.etsy.com/shop/hongkongwillie www.youtube.com/watch?v=tbpC9S-gIOo www.youtube.com/watch?v=KrV3Aj85I84 hongkongwillie.blogspot.com/2011/04/tampa-art-galleriesfa... hongkongwillie.blogspot.com/2011/04/green-reuse-artist-bo... hongkongwillie.blogspot.com/2011/05/tampa-famous-green-ar... hong-kong-willie-blog.blogspot.com/2008/07/hong-kong-will...

Tampa Florida Art Galleries

Living on a Dump (landfill) A Dream came true . Updated 1/5/2026

It all started on a landfill in Tampa. 
Landfills Live forever.
.

 

Sometimes, it’s the smallest experiences that have the biggest impact on a person’s life.
While attending an art class in 1958 at the age of 8. Tampa folk artist Joe Brown

.

Hongkongwillie (joe brown) living on a landfill,(county dump) on gunn hwy Tampa Florida.



.

Google 将在香港投资三亿美元兴建数据中心

Google 將在香港投資三億美元興建數據中心

.

This is a excerpt from a study. Follow this link
Gunn Highway Landfill
The Gunn Highway Landfill is located off Gunn Highway in Tampa, Hillsborough County, Florida. The county operated the landfill as a trench-type facility for the disposal of MSW from 1958 to 1962. The landfill disposal areas occupied approximately fifteen acres. After the landfill was closed, the property was subdivided and developed. A total of thirteen apartment buildings and a clubhouse were constructed over the waste-filled areas of the landfill. According to an investigation report by a consulting firm, see Geraghty & Miller (1996), the foundations for these structures were built as follows:
The complex is founded on timber piles and post-tensioned concrete structural slab systems due to the subsurface conditions. The construction drawings approved by Hillsborough County for the apartment complex indicate that a synthetic membrane was to be installed beneath the slabs to block and disperse the migration of methane gas, generated by the decomposition of solid waste.
Even though efforts were made during construction to prevent methane gas generated by the waste from seeping into the structures, problems were discovered in the late 1980's. In addition, differential settlement of the waste has resulted in cracks in the overlying structures in spite of the attempt to establish an adequate pile foundation system for those structures.
Numerous investigations have been conducted at the property evaluating whether methane gas has migrated into the on-site structures and evaluating the potential for the gas to migrate off-site through utility trenches containing electrical conduits, sanitary sewers and stormwater pipes. Some gas monitoring data report methane gas concentrations in the soils at levels significantly higher than 100 percent of the lower explosive limit (LEL) for methane. Methane gas has consistently been detected under the slabs at the clubhouse and at many of the apartment buildings. Fortunately, methane gas has not been detected in the first floor apartments. Additional ventilation has been added to on-site structures and concrete floors have been resealed to try and minimize the risks from methane gas accumulation. While investigators now believe that the levels of methane gas are decreasing at the site, indicating that the Gunn Highway Landfill may have passed its peak methane generation rate, gas monitoring is still continuing and is likely to be required for many more years..

By Kerry Schofield

The year was 1958. Joe Brown, 8, lived next to a county dump site in Tampa, Fla. Brown found old junk, fixed it up and sold it. Brown knew he had a higher calling in life — he was destined to be an artist.

Brown, who is now 60, makes art from trash at his Hong Kong Willie Art Gallery. He has embellished the outside of the gallery with splashes of Caribbean-color paint and found objects reminiscent of Key West.

Brown is as colorful as the gallery — he wears a bright tropical shirt with red, white and blue plaid shorts. Patrons tell him they can smell the salt water when they drive up. The gallery, however, is perched inland near Morris Bridge Road and Interstate 75 where a rusty-hair hen named Fred, first thought to be a rooster, patrols the property. Fred, abandoned five years ago by tourists, trots between the gallery and adjacent hotel leaving a trail of droppings behind her.

Brown lived on the Gunn Highway Landfill from 1958 to 1963. The Hillsborough County landfill operated for four years and was closed in 1962. “It was astounding how quick they could fill the 15 acres in pits that were enormous,” Brown said.

An apartment complex now sits on top of the old landfill. A report by the Florida Department of Environmental Protection indicated that a lining was placed underneath the complex when it was built to block methane gas from leaking. The gas is a byproduct of rotting garbage.

 As a child, Brown lived on his father’s dairy and beef farm. Brown said during heavy rain, the low land on the farm flooded the neighboring Gunn Highway. In 1957, Hillsborough County officials offered to elevate the low land to stop the flooding by turning it into a landfill. When the property was sold in 1984 by Brown’s father, soil testing revealed heaps of old paper and punctured cans of spray paint.

“They dug up and took out newspapers like the day they were put in,” Brown said. “It reminded me of nuclear bombs that were going to go off. They dumped everything in the landfill.”

As a child, Brown foraged at nearby dumpsters. County workers saved junk for him that people dropped off. One day, Brown’s parents got a call from his elementary school teacher and told them that Brown had $100 in his pocket and that he must be stealing.

Brown picked up the saved junk after school and turned it into something new. Contrary to his elementary school teacher’s accusation, he wasn’t a thief after all. Instead he was a young entrepreneur who sold other people’s trash.

“There was so much excess coming into the landfill,” Brown said. “There was so much waste from our society.”

However, Brown’s mother wanted him to pursue his talents and dreams, not money. But he developed a business sense during his young junk collecting days and told his mother, “I’m not going to be an artist. I’ve read that artists starve to death.”

Brown’s mother became concerned. He said his mother knew “the value of happiness and the travels of life” and sent him to a summer art class.

The art teacher inspired awe in Brown. She taught him how to reuse baby food jars by melting the glass and adding marbles to the mix to create paper weights. The teacher had traveled to Hong Kong, China and Hiroshima, Japan after World War II. She saw how people were forced to recycle and reuse items out of necessity after the war. This left an impression on Brown.

It was at this time that he personified the name Hong Kong Willie, which harkens back to China where the mass production of merchandise occurs. The “Willies” are people like Brown and other environmentalists who try to reuse trash instead of throwing it into landfills.

After high school, Brown went to college to study business but dropped out after three years. He worked in the material handling industry until 1981. Although Brown had achieved a successful career and lifestyle, he had become discouraged in 1979.

“The change came from knowing that I had come to the point of what people call success,” Brown said. “I wasn’t happy inside.”

He had been diagnosed with depression in 1973, a condition that was caused from high fructose intake and that lasted for more than four years.

In 1985, Brown and his artist wife, Kim, bought the half-acre property off Fletcher Avenue and Morris Bridge Road. For two decades the two small wooden shacks, built around 1965, that now house the gallery operated as a bait and tackle shop.

Nowadays, Brown raises and sells worms by the pound mainly for composting. He recycled 250 thousand pounds in the worm bed in 2009. Brown still sells the worms for $3.50 a cup for fishing.

In 1981, Brown resurrected the Hong Kong Willie name from his childhood art class. In the early 1980s, both he and his wife, Kim, began upcycling trash into art. Brown entered another world when he left his mainstream lifestyle behind — he joined the art scene and booked rock bands at the same time.

The Brown family spent half their time in Tampa and the other half in a small home on Boot Key Harbor in Marathon. Brown gained the reputation of the Key West lobster buoy artist.

“I had a total different appearance when in Key West,” Brown said. “I used to have hair down to my waist.”

When Brown came back to Tampa, he lived in the woods for months at a time, much like Henry David Thoreau in “Walden,” who had lived a simple lifestyle in a one room cabin near Walden Pond in Concord, Mass.

Back in Key West, Brown became friends with local fishermen. He and others organized efforts to clean up plastic foam buoys that had collected in the waterways from years of fishing.

“You would go and find buoys floating in the mangroves, up on the shore and they had trashed up everything,” Brown said.

The Earth Resource Foundation reports that plastic foam is dumped into the environment. It breaks up into pieces and chokes animals by clogging their digestive system.

Brown sells the buoys from the Hong Kong Willie Art Gallery for $2.00 a piece. He said he has sold from 30 to 40 thousand buoys in the last ten years. Some of the buoys are more than 50 years old and are collected by tourists from China and Japan.

“If you go to the Keys right now and you see a buoy floating, you’ll see someone slam on the brakes to get it,” Brown said. “They’re the most prized buoys of the world.”

Brown made a holiday buoy tree 12 years ago from the Key West buoys. Hundreds of buoys are strung on rope and wrapped around a utility pole next to the gallery. Brown hopes the novelty of the buoy tree will inspire and stimulate children to find new ways to reduce, reuse and recycle garbage.

In Kate Shoup’s “Rubbish! Reuse Your Refuse,” the author said much of what we get is designed to be scrapped after only a few uses. We easily throw away pens, lighters, razors and dozens of other items. Shoup said Americans consume 2 million plastic drink bottles every 5 minutes.

Likewise, Brown finds uses for items that would otherwise end up in a landfill. He buys used burlap bags from coffee and peanut producers. He sells them to the U.S. National Forestry Service for the collection of pine seeds and Samuel Adams for hops production.

Brown and his wife, Kim, also make art hippie bags from the burlap sacks and sell them in the gallery. Kim, also an artist, paints fish, turtles, crows, parrots and the like on driftwood and on wood that Brown has salvaged from saw mills and from old buildings in Key West.

Brown said art is viewed and appreciated by certain people. “If it all came out the same, it would be like bland grits all the time,” Brown said. He likes to refer to the gallery art as reused rather than recycled, which takes waste and turns it into an inferior product.  Reuse on the other hand involves remaking an item and using it again for the same intended purpose.

“I also try to stay away from imprinting a definite use for a definite item,” Brown said. He explains that 2-liter bottles are not limited to making bird feeders. The bottles can be used for art and craft projects as well.

Brown said the larger message he wants to communicate is that the disposal of garbage today is creating a toxic environment.

 “I still have the original Gerber baby food bottle that I melted” Brown said. “It’s sitting on my mom’s little table.”

Hong Kong Willie photomontage

I'm working on a feature story about Hong Kong Willie aka Joe Brown and family who are reuse artists. I recently spent some time interviewing Joe Brown at his studio in Tampa, Fla. We had a pleasant talk about his working gallery. We sat outside and there was a nice breeze, although it was a warm sunny day still here in Florida. Join me in the midst of writing the story. I took a few pictures to share with you. Enjoy. 

Hong Kong Willie family art gallery.

Reuse artists from the 1960s.

Morris Bridge Road and Interstate 75, Tampa, Fla.

The garden shrubbery consists of recycled glass bottles and aloe vera plants.

Hong Kong Willie holiday buoy tree.

Hundreds of lobster buoys from Key West, Fla., strung on rope,

wrapped and tied to a utility pole.

Hong Kong Willie orange helicopter that once served in

Vietnam and later used by a radio station.

Hong Kong Willie.

Key West lobster buoys hang from the small 1950s wood frame building.

Tourists buy the buoys for souvenirs. Some of the buoys are 50 years old.  

Hong Kong Willie.

The exterior of the roadside building is an artful blend of

Caribbean-color paint and found objects.

Hong Kong Willie.

Seabird plaques, sea glass, melted bottles, painted driftwood

and rusty objects are a few of the items that decorate the wood panels.

Entrance into the small building, which is lined from ceiling to floor

with burlap sacks from South American coffee roasters.

Hong Kong Willie.

Joe Brown and family also composts and sells worms.

Hong Kong Willie.

Patrons buy worms for fishing and composting.

They also buy South American burlap coffee bean sacks. 

Hong Kong Willie reuse artists ,reuse the burlap

and make hippie beach bags.

Hong Kong Willie reuse artists use old clothes, buttons, baseball leather and

yarns to sew and decorate the burlap bags.

Posted by Kerry Schofield 

Tampa Art Galleries,Making A difference . Updated 9/10/2025

It all started on a landfill in Tampa.

 Who Is Hongkongwillie

 

During my 4 years of attending USF I've gotten to venture around a decent amount of local spots in the surrounding Tampa Bay area. These ranged from restaurants, cafes, parks, bars, and other places of interest. Recently I got to check out this particular spot that has always been on mind. If you're frequently in the Temple Terrace area then there's a pretty big chance you probably been down East Fletcher Avenue before. If that's the case, then you definitely have seen this spot I'm talking about. Go east onto Fletcher Avenue and as soon as you're about to hit Highway I-75, look to your right and you'll see an establishment with some very interesting art installments around its vicinity. Just by looking at the photo above, you can see why its hard to miss. Once again, I had my good friend, Nick, tag along with me to check out what this place was all about.

 

 

Hong Kong Willie

When we pulled up onto the property, there were no other cars there besides mine. It made me wonder if there was even anyone around . The first thing you'll immediately notice is that the majority of the property was covered in ocean like paraphernalia such as vibrantly colored buoys to coconuts. It makes you feel like you're walking around a dock for boats. 

We proceeded to walk towards what appeared to be the main building since it had "open" signs posted around it. The signs led us to a door on the right side that had a wooden sign with the words, "WE ARE OPEN CALL 813-770-4794". I called the number and before anyone could answer, a man comes out of nowhere right behind us and asks, "You want to view the gallery?". He then unlocked the door for us and behind it was a room completely filled with artwork made by him. These ranged from paintings, wood carvings, more buoys, and so much more. It was pretty overwhelming. As we kept looking around, the man introduced himself as Joe Brown, aka "Hong Kong Willie"

 

From Hong Kong to Willie

Born and raised in Tampa, Joe's passion for art started when he attended an art class at the age of 8. Through it he learned the importance of volunteerism, reusing, recycling, and giving back to the community. With deep admiration for his teacher's past work in Hiroshima, the "Hong Kong" part of his name came from the fact that his teacher was from there. Later on "Willie" was added to form the catchphrase "Hong Kong Willie". As time progressed, the young artist unfortunately decided to leave his interests in art behind with the thought that it wasn't going to be able to support him in the future. . Now this the part of the story where things for Joe start to get REALLY interesting. Right after graduating college, Joe became involved with a project that helped bring UPC codes to the grocery stores. (UPC codes are those bar codes you see on products). Sounds crazy right? Who would of known that some random artist in Tampa played a big role in something like that? However, he wasn't content with what he was doing with his life; this led him to move back to Tampa where he spent 5 years living in a beat down trailer in a forest across the street from where we were standing. He recalled the trailer days when he would always piss off the locals by blasting loud music at night and dealing with 20 something cops showing up; surprisingly, he never got kicked out. Soon it was finally time for the man to make his comeback as an artist.

 

 So how successful has the artist been since? Well, the highest value he's ever sold one of his pieces for was $200,000... Holy crap... If you're able to sell one of your pieces for that much then you're definitely doing something right. Many of his clients have ranged from businesses wanting to place something in their stores to individuals who just want unique artwork in their home. But putting aside the art talk, the artist gave us personal wisdom about his outlook on life.

 

 Hongkongwillie Art
MYSTERIOSITY   $176,000 U.S. Dollars

 

 

Willie Wisdom

Joe believes that one of the biggest issues we currently face is people being too absorbed by the lifestyle of riches, straying them from being themselves. It's no surprise that when you live in a society that glamorizes wealth that you become tempted to throw aside your genuine interests to find ways to get rich instead. I've personally had friends who've stopped pursuing their passions because it seemed to them a waste of time since it didn't hold any potential to make them money. A majority of these passions were related to art, music, and dance. It's sad to think about but as a photographer myself I understand where they're coming from. Luckily there are still people out there like Joe who still follow their passions with zero care about wealth. I've always believed that if you truly loved doing something then you'll find a way to pursue it regardless where life takes you. If you find that too hard to do, then you never loved it in the first place. Joe also weighed in on the issues of race that have been recently prevalent in media by describing his personal experiences with it. He acknowledges that as an individual who physically appears to be white, that it gives him a bigger social advantage as compared to "minority" races. As a man of Spanish, White, and Jewish descent, he's had a mild taste of these social tensions when he once lived in a community of English people. 

 

 

What started off as a normal visit to Hong Kong Willie, became one of the most enlightening experiences that I've ever had. Just the amount of resilience that this man had maintained throughout his life was impressive. His early struggles really embody the cliché phrase, "When there's a will, there's a way". He owes a lot of his success to the support of the community, God, and other artists. Those humbling words left such a big impact on me. 

If you're ever in the area then I highly recommend that you visit Hong Kong Willie. This definitely beats a visit to a regular art museum for sure. Below I've provided more info on how you can learn more about him. You just never know what story a place might hold for you till you go check it out.  

 

 

 

“My father understood why he was here. And he made that of great importance to his children… My father gave me the understanding of why we were here
And to be determined to find that.”

In today’s fast-paced society, teaching of such life lessons has become rare. People are more motivated to “get famous and get money.

“I’m here just to exemplify and maximize why I’m here. That’s probably the greatest thing that I think is missed in families.

 

 

 

 

.

 

 

Florida interstate art . Updated 5/20/2025

Florida interstate art.
We are located at   12212 morrisbridge road ,Tampa Florida 33637   


Reuse artist.
Hong Kong Willie.Florida Interstate Art.. Artist of the 60’s in the now. Acclaimed Famous Florida folk artist, Living the Life of using objects for many uses. Follow the travels of life.  

Who Is Hongkongwillie

 

During my 4 years of attending USF I've gotten to venture around a decent amount of local spots in the surrounding Tampa Bay area. These ranged from restaurants, cafes, parks, bars, and other places of interest. Recently I got to check out this particular spot that has always been on mind. If you're frequently in the Temple Terrace area then there's a pretty big chance you probably been down East Fletcher Avenue before. If that's the case, then you definitely have seen this spot I'm talking about. Go east onto Fletcher Avenue and as soon as you're about to hit Highway I-75, look to your right and you'll see an establishment with some very interesting art installments around its vicinity. Just by looking at the photo above, you can see why its hard to miss. Once again, I had my good friend, Nick, tag along with me to check out what this place was all about.

 

 

Hong Kong Willie

When we pulled up onto the property, there were no other cars there besides mine. It made me wonder if there was even anyone around . The first thing you'll immediately notice is that the majority of the property was covered in ocean like paraphernalia such as vibrantly colored buoys to coconuts. It makes you feel like you're walking around a dock for boats. 

We proceeded to walk towards what appeared to be the main building since it had "open" signs posted around it. The signs led us to a door on the right side that had a wooden sign with the words, "WE ARE OPEN CALL 813-770-4794". I called the number and before anyone could answer, a man comes out of nowhere right behind us and asks, "You want to view the gallery?". He then unlocked the door for us and behind it was a room completely filled with artwork made by him. These ranged from paintings, wood carvings, more buoys, and so much more. It was pretty overwhelming. As we kept looking around, the man introduced himself as Joe Brown, aka "Hong Kong Willie"

 

From Hong Kong to Willie

Born and raised in Tampa, Joe's passion for art started when he attended an art class at the age of 8. Through it he learned the importance of volunteerism, reusing, recycling, and giving back to the community. With deep admiration for his teacher's past work in Hiroshima, the "Hong Kong" part of his name came from the fact that his teacher was from there. Later on "Willie" was added to form the catchphrase "Hong Kong Willie". As time progressed, the young artist unfortunately decided to leave his interests in art behind with the thought that it wasn't going to be able to support him in the future. . Now this the part of the story where things for Joe start to get REALLY interesting. Right after graduating college, Joe became involved with a project that helped bring UPC codes to the grocery stores. (UPC codes are those bar codes you see on products). Sounds crazy right? Who would of known that some random artist in Tampa played a big role in something like that? However, he wasn't content with what he was doing with his life; this led him to move back to Tampa where he spent 5 years living in a beat down trailer in a forest across the street from where we were standing. He recalled the trailer days when he would always piss off the locals by blasting loud music at night and dealing with 20 something cops showing up; surprisingly, he never got kicked out. Soon it was finally time for the man to make his comeback as an artist.

 

 So how successful has the artist been since? Well, the highest value he's ever sold one of his pieces for was $200,000... Holy crap... If you're able to sell one of your pieces for that much then you're definitely doing something right. Many of his clients have ranged from businesses wanting to place something in their stores to individuals who just want unique artwork in their home. But putting aside the art talk, the artist gave us personal wisdom about his outlook on life.

 

 Hongkongwillie Art
MYSTERIOSITY   $176,000 U.S. Dollars

 

 

Willie Wisdom

Joe believes that one of the biggest issues we currently face is people being too absorbed by the lifestyle of riches, straying them from being themselves. It's no surprise that when you live in a society that glamorizes wealth that you become tempted to throw aside your genuine interests to find ways to get rich instead. I've personally had friends who've stopped pursuing their passions because it seemed to them a waste of time since it didn't hold any potential to make them money. A majority of these passions were related to art, music, and dance. It's sad to think about but as a photographer myself I understand where they're coming from. Luckily there are still people out there like Joe who still follow their passions with zero care about wealth. I've always believed that if you truly loved doing something then you'll find a way to pursue it regardless where life takes you. If you find that too hard to do, then you never loved it in the first place. Joe also weighed in on the issues of race that have been recently prevalent in media by describing his personal experiences with it. He acknowledges that as an individual who physically appears to be white, that it gives him a bigger social advantage as compared to "minority" races. As a man of Spanish, White, and Jewish descent, he's had a mild taste of these social tensions when he once lived in a community of English people. 

 

 

What started off as a normal visit to Hong Kong Willie, became one of the most enlightening experiences that I've ever had. Just the amount of resilience that this man had maintained throughout his life was impressive. His early struggles really embody the cliché phrase, "When there's a will, there's a way". He owes a lot of his success to the support of the community, God, and other artists. Those humbling words left such a big impact on me. 

If you're ever in the area then I highly recommend that you visit Hong Kong Willie. This definitely beats a visit to a regular art museum for sure. Below I've provided more info on how you can learn more about him. You just never know what story a place might hold for you till you go check it out.  

 

 

 

“My father understood why he was here. And he made that of great importance to his children… My father gave me the understanding of why we were here
And to be determined to find that.”

In today’s fast-paced society, teaching of such life lessons has become rare. People are more motivated to “get famous and get money.

“I’m here just to exemplify and maximize why I’m here. That’s probably the greatest thing that I think is missed in families.

 

 

 

 

.

 

 

Tampa Art Galleries Videos . Updated 10 / 27 / 2024

Hongkongwillie Videos

Reuse artist.
Hong Kong Willie.Tampa Art Galleries. Artist of the 60’s in the now. Acclaimed Famous Florida folk artist, Living the Life of using objects for many uses. Follow the travels of life.

MY FOX TAMPA BAY

Tampa Art Galleries

Tampa Art Galleries VideosArtist Born for this time, Lived on a landfill as a child. Reuse Became the way of life. To read the story from the inception of the Name Hong Kong Willie. Famed, by the humble statements from the Key West Citizen, viable art from reuse has found its time. To Live a life in the art world and be so blessed to make a social impact. Artists are to give back, talent is to tell a story, to make change. Reuse is a life experience.
  Reuse Became the way of life. To Live a life in the art world and be so blessed to make a social impact. Artists are to give back, talent is to tell a story, to make change. Reuse is a life experience 

It,(was the dump) that had all this media, and a young enterprising mind. Not enough time to capture it all.

 A short moment of time Hong Kong Willie

The first time i can remember, The Florida Keys. The long road , narrow water on both sides. Beach, not to my understanding. Key West, Duval St, only what tourists see, was my first impression. WOW, that would change

 i received a phone call from Al in Ramrod Key, a Florida Key. A Key that is about 27 miles from Key West. Al: a rocker, drummer, out there kind a guy. Al and i met in a funny way. Al living near some small town in Massachusetts also having this cool place in the Florida Keys.
Artist have this draw to the Keys, Why, Well it took this road to discover. Al now living in Ramrod, calling to tell what had happen in the Isle of Ramrod. Not to mention Cat, oh i forgot, Cat is how i met Al.

Al, someone that, well to say what a friend. Some nights sleeping on his pool table. and not far is No Name Pub, well there you go, pub, by any other name spells trouble. Well contrary to your disbelief, what a place of history. This is where it begins.or When its begins.

This once remote Key, NO NAME KEY,NO NAME PUB, remote, to say the
least, pub , when seeing the place, everything you can believe, and more,
just from the appearance. Now no matter what you have heard second
thoughts still occur.. Its still time turn around, not to night. The
Rainbow Trail by Zane Grey, was spoken here, my first exposure to the
days of Zane Grey, oh I'm getting ahead of myself. No Name Pub, a Zayne
Grey second office in the Keys, later to be one of mine. No Name Pub,
the history, the wild west, well, great writers, why they come here, No
Name Pub. Real artist, Real Treasure hunters, Fisherman, and the trade no
one saw, all came. No one made a big deal who came or left.

It was part of the beginning for the art support. A meeting place for the who's who in the world of the Keys.
Egos left a the door.
Appreciating that you did not get lost in that world .
Artist that had made it and willing to give you support. .
This was a place that I will always remember for the time I sharpen my artist skills..

Tampa Artist Gallery

Tampa Art Galleries Videos

Hong Kong Willie. The name of the artist. In 1958 his mother took Hong Kong Willie to an art class. The name started then. An art teacher when doing crafts out of Gerber baby bottles, made a statement, in Hong Kong reuse was common. At that time he thought this was very interesting. His father had low-land, at that time landfills were common also. The county had told Hong Kong Willie’s father, it was safe, but as we now know this was not so. Something can come from bad to be good. Hong Kong Willie the name came from that art teacher impressing on that young mind that objects made for one use could be for many other uses. Hong Kong for the neat concept. Willie for an American name. So for many years Hong Kong Willie had a life of reuse. Hong Kong Willie saw forms in a different light, His life now was meaningful, knowing this was and would be his life. Art made from found objects, making less of a footprint on this world. Art and art teachers, HOW IMPORTANT. For the ones that have, and the ones who have not. Media can be found. Now 50 years later, we know now being green is important. We need to look at this very carefully. Our children and our world need a different understanding. Objects can be used in many different ways. Hong Kong Willie the tons of objects in his life that have been used, without much change, So for that art teacher what she did for my life. Thank You. I still have the Gerber baby bottle till this day. Hong Kong Willie.

Tampa Art Gallery

University of South Florida

Florida Focus

Google Car

Google

Will Rearrange the World.

FAMOUS

Tampa

Art Galleries

Google Truck

Helicopter lands on weird

"GOOGLE TRUCK"

Tampa Art Galleries

Tampa Art Gallery

MY FOX TAMPA BAY

Charlie's World Fox News

Hong Kong Willie

Preservation Art Group

Florida recycling artist . Updated 10 / 27 / 2024

 

Art Hong Kong Willie's way

 Published in TB2
BY SOHINI LAHIRI
Growing up in Tampa, I spent a period of time fascinated by a quirky, eye-catching landmark at Fletcher Avenue and Interstate 75. This was also the period of time I spent obsessed with making binoculars out of toilet paper rolls and necklaces out of pop tops. To me, this sight was the epitome of similar creative craziness, and I often found myself looking for it during car journeys, hoping it hadn’t disappeared overnight.
But time passes and so does the urge for pop-top necklaces, and observant eyes don’t notice the same sights. It wasn’t until recently that I once again took note of the scene, with its broken down orange helicopter, a tree made of what seems to be indestructible balloons and a blue-and-white house covered with trash remade into art.
It’s the home of Hong Kong Willie, artist of reuse.
I finally paid a visit to this art gallery after many years of wondering about the story behind it. The pavement leading to the door is painted with handprints and splatters, the store edged with upside down Coke bottles. Streams of lobster buoys hang from the roof and also make up the “tree” I marveled at so often from my car window.
Various shoes, bottles, clocks and signs are glued to the side of the store, and there’s a tribute to Sept. 11 off to the side. No one seemed to be home, so I called the number on the “WE’RE OPEN” sign, which brought a middle-aged man in a bright Hawaiian shirt from behind the store.
After a few basic questions, Joe Brown begins to open up about the history surrounding his art.
Brown, better known as Hong Kong Willie, says he was an artist from the start. “Everyone is born an artist,” he said. “However some are granted the gift of being able to express that art.”
As a young boy, his mother decided to send him to art school, which he says changed the course of his life forever.
At the age of 8, Brown recalls being heavily influenced by the lessons, which included transforming a Gerber baby bottle, something with no real value, into a piece of art. His teacher had spent an enormous amount of time and effort in Hiroshima, Japan, helping those affected by the atomic bombs. Brown learned many lessons about recycling from this teacher, who had come from Hong Kong. Brown added an American name, Willie, to Hong Kong for his nickname Hong Kong Willie.
While Brown grew up to be an artist, he left the world of mainstream art to return to his background in technology.
“But on Nov. 13th, 1981 … on a Friday at 1:30 in the afternoon, I had an epiphany,” Brown says. “I was at a friend’s house right across the street,” pausing to point at a row of apartments across from his store, “and a series of events led me to rejoin the art world.”
With the help of two other artists, Brown set up his business in the Florida Keys in the early 1980s, then moved it to Tampa. Together, they believed that they were predestined for the Green Movement, and have been making art out of recyclables for close to 30 years.
How’s business? He smiles. “It’s pretty wild.”
Inside, Hong Kong Willie’s art includes glossy pieces of driftwood restored and painted with beautiful landscapes and kernels of truth, some of the gorgeous work priced in the six figures. But there’s also a wide collection of handmade bags, wooden sculptures and sassy bracelets for more moderate prices.
A portion of the proceeds go to benefit the Green Movement, Brown says.
With a laid-back swagger, Brown continues. “We live pretty minimally. And all the funds we get from donations and our art sales are delegated to green projects.”
I’m not sure what I was expecting when I decided to visit Hong Kong Willie. Certainly not the breathtaking art inside, and definitely not the history behind it. I’m feeling thick-headed for not visiting years ago, and say so.
Brown offers a last bit of insight:
“I’m a big believer in predestination and timing. If someone is not ready to view art, the door is closed. Every piece of art that is made, and every project we do is done for a reason. It doesn’t matter if that reason shows up the next day, or walks in six years later; every piece of art will find a home.”

FUNDING FOR THIS PROGRAM IS MADE POSSIBLE BY THE
S.L. GIMBEL FOUNDATION.
IN THIS EDITION OF "WEDU ARTS PLUS,Hongkongwillie

ART FOR SALE MYSTERIOSITY 
Florida Recycling Artist., HONG KONG WILLIE

 



$176,000 U.S. Dollars
  Hong Kong Willie Gallery

Florida Recycling Artist,raised on Tampa city dump,like living in the Penthouse in the upper east side.

Blue Marlin Dream of Key West.

$225,000  Hong Kong Willie Art

Gunn Highway Landfill

The Gunn Highway Landfill is located

off Gunn Highway in Tampa, Hillsborough

County, Florida. The county operated the landfill

 as a trench-type facility for the disposal

of MSW from 1958 to 1962.

Hongkongwillie born for reuse .