Monday

Famous Green Tampa Artist . Updated 12/17/2024

Reuse Became the way of life. To read the story from the inception of the Name Hong Kong Willie. Famed, by the humble statements from the Key West Citizen, viable art from reuse has found its time. To Live a life in the art world and be so blessed to make a social impact. Artists are to give back, talent is to tell a story, to make change. Reuse is a life experience  .


CALL US,  WE ARE HERE. 

  ASK FOR 

   HONG KONG WILLIE.    

.



Famous artist raised on Tampa city dump,like living in the Penthouse in the upper east side. A brand meant for this time. Can you see the picture.

Dorado The Dolphin - Original Hong Kong Wilie Art

$4600.00 

To purchase Contact Hongkongwillie

Dorado The Dolphin - Original Hong Kong Wilie Art - Key West
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Dorado The Dolphin - Original Hong Kong Wilie Art - Key West Dorado The Dolphin - Original Hong Kong Wilie Art - Key West Dorado The Dolphin - Original Hong Kong Wilie Art - Key West Dorado The Dolphin - Original Hong Kong Wilie Art - Key West Dorado The Dolphin - Original Hong Kong Wilie Art - Key West


Watching the Paint ,a Great exploding of Colors from the truck hit the pit. What a memory. Was this the beginnings of Green for i.

Eye of Toucan

Hong Kong WIllie Original Art

$8100.00 

To purchase contact Hongkongwillie

Eye of Toucan - Hong Kong WIllie Original Art
zoom
Eye of Toucan - Hong Kong WIllie Original Art Eye of Toucan - Hong Kong WIllie Original Art Eye of Toucan - Hong Kong WIllie Original Art Eye of Toucan - Hong Kong WIllie Original Art Eye of Toucan - Hong Kong WIllie Original Art
Hong Kong Willie "Eye of Toucan"

Authentic Key West influenced art. What once would have been sawdust spread to the wind, is now what you see here.

Superior reuse of materials.

Wood Source: Aged Sawmill Stock
Copper Hanger Source: Reclaimed Wire
Backing Screw Source: Reclaimed Brass Screw
Key West Fisherman ID Tag Referenced in Artists Log
Hong Kong Willie Artist: .


Black Bird of Key Largo 

$98,000 

To purchase contact Hongkongwillie

Black Bird of Key Largo
zoom
Black Bird of Key Largo Black Bird of Key Largo Black Bird of Key Largo Black Bird of Key Largo Black Bird of Key Largo
"Black Bird of Key Largo"

The allurement of the winds blowing in the palm trees and the moon shining through and the "Black Bird of Key Largo" looking upon.
Hong Kong Willie



**HONG KONG WILLIE artist Kim Brown, chose aged Florida sawmill stock as canvas. Recovered Brass Hanger: Key West lobster trap rigging. Originally connects and suspends rigging of spiny lobster traps in Key West waters. Candy-like appearance due to multiple protective layers. Assigned number in artist register by Fisherman ID tag, corresponding burn-etched # rear of piece. Key recovered by Robert Jordan, acclaimed treasure hunter: also in identification of piece and artist.


This is a excerpt from a study of the landfill,{county dump} Hong Kong Willie,{joe brown } lived on.

Gunn Highway Landfill
The Gunn Highway Landfill is located off Gunn Highway in Tampa, Hillsborough County, Florida. The county operated the landfill as a trench-type facility for the disposal of MSW from 1958 to 1962. The landfill disposal areas occupied approximately fifteen acres. After the landfill was closed, the property was subdivided and developed. A total of thirteen apartment buildings and a clubhouse were constructed over the waste-filled areas of the landfill. According to an investigation report by a consulting firm, see Geraghty & Miller (1996), the foundations for these structures were built as follows:
The complex is founded on timber piles and post-tensioned concrete structural slab systems due to the subsurface conditions. The construction drawings approved by Hillsborough County for the apartment complex indicate that a synthetic membrane was to be installed beneath the slabs to block and disperse the migration of methane gas, generated by the decomposition of solid waste.
Even though efforts were made during construction to prevent methane gas generated by the waste from seeping into the structures, problems were discovered in the late 1980's. In addition, differential settlement of the waste has resulted in cracks in the overlying structures in spite of the attempt to establish an adequate pile foundation system for those structures.
Numerous investigations have been conducted at the property evaluating whether methane gas has migrated into the on-site structures and evaluating the potential for the gas to migrate off-site through utility trenches containing electrical conduits, sanitary sewers and stormwater pipes. Some gas monitoring data report methane gas concentrations in the soils at levels significantly higher than 100 percent of the lower explosive limit (LEL) for methane. Methane gas has consistently been detected under the slabs at the clubhouse and at many of the apartment buildings. Fortunately, methane gas has not been detected in the first floor apartments. Additional ventilation has been added to on-site structures and concrete floors have been resealed to try and minimize the risks from methane gas accumulation. While investigators now believe that the levels of methane gas are decreasing at the site, indicating that the Gunn Highway Landfill may have passed its peak methane generation rate, gas monitoring is still continuing and is likely to be required for many more years.

Who Is Hongkongwillie

BY Casper Yen

 

During my 4 years of attending USF I've gotten to venture around a decent amount of local spots in the surrounding Tampa Bay area. These ranged from restaurants, cafes, parks, bars, and other places of interest. Recently I got to check out this particular spot that has always been on mind. If you're frequently in the Temple Terrace area then there's a pretty big chance you probably been down East Fletcher Avenue before. If that's the case, then you definitely have seen this spot I'm talking about. Go east onto Fletcher Avenue and as soon as you're about to hit Highway I-75, look to your right and you'll see an establishment with some very interesting art installments around its vicinity. Just by looking at the photo above, you can see why its hard to miss. Once again, I had my good friend, Nick, tag along with me to check out what this place was all about.

 


 

Hong Kong Willie

When we pulled up onto the property, there were no other cars there besides mine. It made me wonder if there was even anyone around . The first thing you'll immediately notice is that the majority of the property was covered in ocean like paraphernalia such as vibrantly colored buoys to coconuts. It makes you feel like you're walking around a dock for boats. 


We proceeded to walk towards what appeared to be the main building since it had "open" signs posted around it. The signs led us to a door on the right side that had a wooden sign with the words, "WE ARE OPEN CALL 813-770-4794". I called the number and before anyone could answer, a man comes out of nowhere right behind us and asks, "You want to view the gallery?". He then unlocked the door for us and behind it was a room completely filled with artwork made by him. These ranged from paintings, wood carvings, more buoys, and so much more. It was pretty overwhelming. As we kept looking around, the man introduced himself as Joe Brown, aka "Hong Kong Willie"

 

From Hong Kong to Willie

Born and raised in Tampa, Joe's passion for art started when he attended an art class at the age of 8. Through it he learned the importance of volunteerism, reusing, recycling, and giving back to the community. With deep admiration for his teacher's past work in Hiroshima, the "Hong Kong" part of his name came from the fact that his teacher was from there. Later on "Willie" was added to form the catchphrase "Hong Kong Willie". As time progressed, the young artist unfortunately decided to leave his interests in art behind with the thought that it wasn't going to be able to support him in the future. . Now this the part of the story where things for Joe start to get REALLY interesting. Right after graduating college, Joe became involved with a project that helped bring UPC codes to the grocery stores. (UPC codes are those bar codes you see on products). Sounds crazy right? Who would of known that some random artist in Tampa played a big role in something like that? However, he wasn't content with what he was doing with his life; this led him to move back to Tampa where he spent 5 years living in a beat down trailer in a forest across the street from where we were standing. He recalled the trailer days when he would always piss off the locals by blasting loud music at night and dealing with 20 something cops showing up; surprisingly, he never got kicked out. Soon it was finally time for the man to make his comeback as an artist.

 

 So how successful has the artist been since? Well, the highest value he's ever sold one of his pieces for was $200,000... Holy crap... If you're able to sell one of your pieces for that much then you're definitely doing something right. Many of his clients have ranged from businesses wanting to place something in their stores to individuals who just want unique artwork in their home. But putting aside the art talk, the artist gave us personal wisdom about his outlook on life.

 

 Hongkongwillie Art
MYSTERIOSITY   $176,000 U.S. Dollars

 

 

Willie Wisdom

Joe believes that one of the biggest issues we currently face is people being too absorbed by the lifestyle of riches, straying them from being themselves. It's no surprise that when you live in a society that glamorizes wealth that you become tempted to throw aside your genuine interests to find ways to get rich instead. I've personally had friends who've stopped pursuing their passions because it seemed to them a waste of time since it didn't hold any potential to make them money. A majority of these passions were related to art, music, and dance. It's sad to think about but as a photographer myself I understand where they're coming from. Luckily there are still people out there like Joe who still follow their passions with zero care about wealth. I've always believed that if you truly loved doing something then you'll find a way to pursue it regardless where life takes you. If you find that too hard to do, then you never loved it in the first place. Joe also weighed in on the issues of race that have been recently prevalent in media by describing his personal experiences with it. He acknowledges that as an individual who physically appears to be white, that it gives him a bigger social advantage as compared to "minority" races. As a man of Spanish, White, and Jewish descent, he's had a mild taste of these social tensions when he once lived in a community of English people. 

 

 

What started off as a normal visit to Hong Kong Willie, became one of the most enlightening experiences that I've ever had. Just the amount of resilience that this man had maintained throughout his life was impressive. His early struggles really embody the cliché phrase, "When there's a will, there's a way". He owes a lot of his success to the support of the community, God, and other artists. Those humbling words left such a big impact on me. 

If you're ever in the area then I highly recommend that you visit Hong Kong Willie. This definitely beats a visit to a regular art museum for sure. Below I've provided more info on how you can learn more about him. You just never know what story a place might hold for you till you go check it out.  
 
 

 
“My father understood why he was here. And he made that of great importance to his children… My father gave me the understanding of why we were here
And to be determined to find that.”

In today’s fast-paced society, teaching of such life lessons has become rare. People are more motivated to “get famous and get money.

“I’m here just to exemplify and maximize why I’m here. That’s probably the greatest thing that I think is missed in families.

 

 


 

 

.

 


 

Sunday

Tampa Famous Green Artist . Updated 3/19/2026

.

Black Bird of Key Largo

$98,000

To Purchase Contact Hongkongwillie

Black Bird of Key Largo
zoom
Black Bird of Key Largo Black Bird of Key Largo Black Bird of Key Largo Black Bird of Key Largo Black Bird of Key Largo
"Black Bird of Key Largo"

The allurement of the winds blowing in the palm trees and the moon shining through and the "Black Bird of Key Largo" looking upon.
Hong Kong Willie



**HONG KONG WILLIE artist Kim Brown, chose aged Florida sawmill stock as canvas. Recovered Brass Hanger: Key West lobster trap rigging. Originally connects and suspends rigging of spiny lobster traps in Key West waters. Candy-like appearance due to multiple protective layers. Assigned number in artist register by Fisherman ID tag, corresponding burn-etched # rear of piece. Key recovered by Robert Jordan, acclaimed treasure hunter: also in identification of piece and artist.


Dimensions:
24" L
8" W
4" H
Weight: 17+ LB

 

The Dump i lived on still today exist ,but buried with all of its secrets. 

 

This is a excerpt from a study of the landfill,{county dump} Hong Kong Willie,{joe brown } lived on.

Gunn Highway Landfill
The Gunn Highway Landfill is located off Gunn Highway in Tampa, Hillsborough County, Florida. The county operated the landfill as a trench-type facility for the disposal of MSW from 1958 to 1962. The landfill disposal areas occupied approximately fifteen acres. After the landfill was closed, the property was subdivided and developed. A total of thirteen apartment buildings and a clubhouse were constructed over the waste-filled areas of the landfill. According to an investigation report by a consulting firm, see Geraghty & Miller (1996), the foundations for these structures were built as follows:
The complex is founded on timber piles and post-tensioned concrete structural slab systems due to the subsurface conditions. The construction drawings approved by Hillsborough County for the apartment complex indicate that a synthetic membrane was to be installed beneath the slabs to block and disperse the migration of methane gas, generated by the decomposition of solid waste.
Even though efforts were made during construction to prevent methane gas generated by the waste from seeping into the structures, problems were discovered in the late 1980's. In addition, differential settlement of the waste has resulted in cracks in the overlying structures in spite of the attempt to establish an adequate pile foundation system for those structures.
Numerous investigations have been conducted at the property evaluating whether methane gas has migrated into the on-site structures and evaluating the potential for the gas to migrate off-site through utility trenches containing electrical conduits, sanitary sewers and stormwater pipes. Some gas monitoring data report methane gas concentrations in the soils at levels significantly higher than 100 percent of the lower explosive limit (LEL) for methane. Methane gas has consistently been detected under the slabs at the clubhouse and at many of the apartment buildings. Fortunately, methane gas has not been detected in the first floor apartments. Additional ventilation has been added to on-site structures and concrete floors have been resealed to try and minimize the risks from methane gas accumulation. While investigators now believe that the levels of methane gas are decreasing at the site, indicating that the Gunn Highway Landfill may have passed its peak methane generation rate, gas monitoring is still continuing and is likely to be required for many more years.

Tampa Art Gallery University of South Florida, Florida Focus,Fletcher and 75





.
John 3:16
King James Version (KJV)


 16For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life.


Tampa gallery practices the art of creative reuse
By Kerry Schofield


The year was 1958. Joe Brown, 8, lived next to a county dump site in Tampa, Fla. Brown found old junk, fixed it up and sold it. Brown knew he had a higher calling in life — he was destined to be an artist.

Brown, who is now 60, makes art from trash at his Hong Kong Willie Tampa Art Gallery. He has embellished the outside of the gallery with splashes of Caribbean-color paint and found objects reminiscent of Key West.

Brown is as colorful as the gallery — he wears a bright tropical shirt with red, white and blue plaid shorts. Patrons tell him they can smell the salt water when they drive up. The gallery, however, is perched inland near Morris Bridge Road and Interstate 75 where a rusty-hair hen named Fred, first thought to be a rooster, patrols the property. Fred, abandoned five years ago by tourists, trots between the gallery and adjacent hotel leaving a trail of droppings behind her.

Brown lived on the Gunn Highway Landfill in Tampa from 1958 to 1963. The Hillsborough County landfill operated for four years and was closed in 1962. “It was astounding how quick they could fill the 15 acres in pits that were enormous,” Brown said.

An apartment complex now sits on top of the old landfill. A report by the Florida Department of Environmental Protection indicated that a lining was placed underneath the complex when it was built to block methane gas from leaking. The gas is a byproduct of rotting garbage.

 As a child, Brown lived on his father’s dairy and beef farm. Brown said during heavy rain, the low land on the farm flooded the neighboring Gunn Highway. In 1957, Hillsborough County officials offered to elevate the low land to stop the flooding by turning it into a landfill. When the property was sold in 1984 by Brown’s father, soil testing revealed heaps of old paper and punctured cans of spray paint.

“They dug up and took out newspapers like the day they were put in,” Brown said. “It reminded me of nuclear bombs that were going to go off. They dumped everything in the landfill.”

As a child, Brown foraged at nearby dumpsters. County workers saved junk for him that people dropped off. One day, Brown’s parents got a call from his elementary school teacher and told them that Brown had $100 in his pocket and that he must be stealing.

Brown picked up the saved junk after school and turned it into something new. Contrary to his elementary school teacher’s accusation, he wasn’t a thief after all. Instead he was a young entrepreneur who sold other people’s trash.

“There was so much excess coming into the landfill,” Brown said. “There was so much waste from our society.”

However, Brown’s mother wanted him to pursue his talents and dreams, not money. But he developed a business sense during his young junk collecting days and told his mother, “I’m not going to be an artist. I’ve read that artists starve to death.”

Brown’s mother became concerned. He said his mother knew “the value of happiness and the travels of life” and sent him to a summer art class.

The art teacher inspired awe in Brown. She taught him how to reuse baby food jars by melting the glass and adding marbles to the mix to create paper weights. The teacher had traveled to Hong Kong, China and Hiroshima, Japan after World War II. She saw how people were forced to recycle and reuse items out of necessity after the war. This left an impression on Brown.

It was at this time that he personified the name Hong Kong Willie, which harkens back to China where the mass production of merchandise occurs. The “Willies” are people like Brown and other environmentalists who try to reuse trash instead of throwing it into landfills.

After high school, Brown went to college to study business but dropped out after three years. He worked in the material handling industry until 1981. Although Brown had achieved a successful career and lifestyle, he had become discouraged in 1979.

“The change came from knowing that I had come to the point of what people call success,” Brown said. “I wasn’t happy inside.”

He had been diagnosed with depression in 1973, a condition that was caused from high fructose intake and that lasted for more than four years.

In 1985, Brown and his artist wife, Kim, bought the half-acre property off Fletcher Avenue and Morris Bridge Road. For two decades the two small wooden shacks, built around 1965, that now house the gallery operated as a bait and tackle shop.

Nowadays, Brown raises and sells worms by the pound mainly for composting. He recycled 250 thousand pounds in the worm bed in 2009. Brown still sells the worms for $3.50 a cup for fishing.

In 1981, Brown resurrected the Hong Kong Willie name from his childhood art class. In the early 1980s, both he and his wife, Kim, began upcycling trash into art. Brown entered another world when he left his mainstream lifestyle behind — he joined the art scene and booked rock bands at the same time.

The Brown family spent half their time in Tampa and the other half in a small home on Boot Key Harbor in Marathon. Brown gained the reputation of the Key West lobster buoy artist.

“I had a total different appearance when in Key West,” Brown said. “I used to have hair down to my waist.”

When Brown came back to Tampa, he lived in the woods for months at a time, much like Henry David Thoreau in “Walden,” who had lived a simple lifestyle in a one room cabin near Walden Pond in Concord, Mass.

Back in Key West, Brown became friends with local fishermen. He and others organized efforts to clean up plastic foam buoys that had collected in the waterways from years of fishing.

“You would go and find buoys floating in the mangroves, up on the shore and they had trashed up everything,” Brown said.

The Earth Resource Foundation reports that plastic foam is dumped into the environment. It breaks up into pieces and chokes animals by clogging their digestive system.

Brown sells the buoys from the Hong Kong Willie Art Gallery for $2.00 a piece. He said he has sold from 30 to 40 thousand buoys in the last ten years. Some of the buoys are more than 50 years old and are collected by tourists from China and Japan.

“If you go to the Keys right now and you see a buoy floating, you’ll see someone slam on the brakes to get it,” Brown said. “They’re the most prized buoys of the world.”

Brown made a holiday buoy tree 12 years ago from the Key West buoys. Hundreds of buoys are strung on rope and wrapped around a utility pole next to the gallery. Brown hopes the novelty of the buoy tree will inspire and stimulate children to find new ways to reduce, reuse and recycle garbage.

In Kate Shoup’s “Rubbish! Reuse Your Refuse,” the author said much of what we get is designed to be scrapped after only a few uses. We easily throw away pens, lighters, razors and dozens of other items. Shoup said Americans consume 2 million plastic drink bottles every 5 minutes.

Likewise, Brown finds uses for items that would otherwise end up in a landfill. He buys used burlap bags from coffee and peanut producers. He sells them to the U.S. National Forestry Service for the collection of pine seeds and Samuel Adams for hops production.

Brown and his wife, Kim, also make art hippie bags from the burlap sacks and sell them in the gallery. Kim, also an artist, paints fish, turtles, crows, parrots and the like on driftwood and on wood that Brown has salvaged from saw mills and from old buildings in Key West.

Brown said art is viewed and appreciated by certain people. “If it all came out the same, it would be like bland grits all the time,” Brown said. He likes to refer to the gallery art as reused rather than recycled, which takes waste and turns it into an inferior product.  Reuse on the other hand involves remaking an item and using it again for the same intended purpose.

“I also try to stay away from imprinting a definite use for a definite item,” Brown said. He explains that 2-liter bottles are not limited to making bird feeders. The bottles can be used for art and craft projects as well.

Brown said the larger message he wants to communicate is that the disposal of garbage today is creating a toxic environment.

 “I still have the original Gerber baby food bottle that I melted” Brown said. “It’s sitting on my mom’s little table.”

Hong Kong Willie photomontage

I'm working on a feature story about Hong Kong Willie aka Joe Brown and family who are reuse artists. I recently spent some time interviewing Joe Brown at his studio in Tampa, Fla. We had a pleasant talk about his working gallery. We sat outside and there was a nice breeze, although it was a warm sunny day still here in Florida. Join me in the midst of writing the story. I took a few pictures to share with you. Enjoy. 

Hong Kong Willie family art gallery.
Reuse artists from the 1960s.
Morris Bridge Road and Interstate 75, Tampa, Fla.
The garden shrubbery consists of recycled glass bottles and aloe vera plants.


Hundreds of lobster buoys from Key West, Fla., strung on rope,
wrapped and tied to a utility pole.

Hong Kong Willie orange helicopter that once served in
Vietnam and later used by a radio station.



Key West lobster buoys hang from the small 1950s wood frame building.
Tourists buy the buoys for souvenirs. Some of the buoys are 50 years old.  


The exterior of the roadside building is an artful blend of
Caribbean-color paint and found objects.


Seabird plaques, sea glass, melted bottles, painted driftwood
and rusty objects are a few of the items that decorate the wood panels.
Entrance into the small building, which is lined from ceiling to floor
with burlap sacks from South American coffee roasters.


Joe Brown and family also composts and sells worms.


Patrons buy worms for fishing and composting.
They also buy South American burlap coffee bean sacks. 

Hong Kong Willie reuse artists ,reuse the burlap
and make hippie beach bags.

Hong Kong Willie reuse artists use old clothes, buttons, baseball leather and
yarns to sew and decorate the burlap bags.



View photographs of the Hong Kong Willie art gallery
http://kerryschofieldjournal.blogspot.com/2010/09/hong-kong-willie-photomontage.html.

Florida Worm Farms,Florida Red Worm Farms,Worm Farms in Florida,Red Worm Farms In Florida


Thank you for your interest in our Florida Worm Farm site. Any questions please do not hesitate in calling us. We want to help if we can.  Thank you. joe of Hong Kong Willie
OUR ADDRESS IS 12212 MORRISBRIDGE ROAD TAMPA FLORIDA 33637
Look for us at Interstate 75 and Fletcher,  exit 266 Tampa Florida Call us at 813 770 4794

We Sell by size of Red worm,which are large. . The reason why we don’t sell by thousands or use this term is because it can be confusing. To explain, a thousand grains of sand is one thing, or a pound of sand is a something else.When ordering Red  worms by the thousand expect worm size to be smaller than a needle. Selling large Red worms which are like a chicken ready to lay eggs and stress less.  . $5.50 per container of 23 adult worms .
Call Tampa 813 770 4794

Our Florida  Red Worm Farm started in 1965. We raise a Red Worm that is Native to Florida

In Tampa Hongkongwillie Red Worm Farm sells a Native Red Worm to Florida. This Red Worm is is part of a solution for eliminating part of your waste going to landfills around Tampa. Vermicomposting is the process of using worms and micro-organisms to turn kitchen waste into a black, earthy-smelling, nutrient-rich humus. This possess is a inexpensive way to compost and in return organic matter into rich soil.  People in Tampa interested in composting have visited Hongkongwillie  Florida Red worm Farm for over 30 years.

Hong Kong Willie Red worm Farm in Tampa started in 1965,from Hongkongwillie living  on a landfill as a child in Tampa on Gunn Hwy. This making a large impact on his life. Composting with Red worms  can reduce a large amount of our waste that go to Landfills. .



CALL US,  WE ARE HERE. 

  ASK FOR 


Hong Kong Willie

813 770 4794

GOOGLE HONG KONG WILLIE


Studies have shown that invasive worms (Eisenia foetida, or"European Night crawlers) have  voracious appetites and reproductive rates (Eisenia foetida, or"European Night crawlers) have also been known to upset the delicate balance of the hardwood forests by consuming the leaf litter too quickly. cause natural  impact on the environment.

.
Any question call 813 770 4794
$49.99 per pound .
Note We sell a Florida Red Worm that is native to Florida.
WE DO NOT SELL
Eisenia foetida, or"European Night crawlers."are non native worms,
CAUTION IN BUYING THESE WORMS 
Eisenia foetida, or"European Night crawlers"are non native worms,This is why we
with any non-native species, it is important not to allow them to reach the wild. Their voracious appetites and reproductive rates (especially among the red wigglers) have been known to upset the delicate balance of the hardwood forests by consuming the leaf litter too quickly. This event leaves too little leaf letter to slowly incubate the hard shelled nuts and leads to excessive erosion as well as negatively affecting the pH of the soil. So, do your best to keep them confined!
Note We sell a Florida Red Worm that is native to Florida.
WE DO NOT SELL
Eisenia foetida, or"European Night crawlers."are non native worms,
CAUTION IN BUYING THESE WORMS

Eisenia foetida

Eisenia fetida, known under various common names, including redworms, brandling worms, tiger worms and red wiggler worms, are a species of earthworm adapted to decaying organic material. They thrive in rotting vegetation, compost, and manure; they are epigeal. They are rarely found in soil, instead like Lumbricus rubellus they prefer conditions where other worms cannot survive. They are used for vermicomposting. They are native to Europe, but have been introduced (both intentionally and unintentionally) to every other continent except Antarctica, occasionally threatening native species.

.

Monday

Tampa Art Galleries,Famous Green Tampa Art Galleries,Tampa Artist,Famous Tampa Green Artist . Updated 3/7/2025

Tampa Artist found Fame on City Dump.
It,(was the dump) that had all this media, and a young enterprising mind. Not enough time to capture it all.




Famous artist raised on Tampa city dump,like living in the Penthouse in the upper east side. A brand meant for this time. Can you see the picture.

It all started on a landfill in Tampa. Famous Green Reuse Artist

Artist Born for the Green Movement.




Hong Kong Willie,Famous Tampa  Reuse Artist. Artist of the 60’s in the now. Acclaimed Famous Tampa Florida Green Folk artist, Living the Life of using objects for many uses. Follow the travels of life




Eye of Toucan - Hong Kong WIllie Original Art

$8100.00

To buy Contact Hongkongwillie

Eye of Toucan - Hong Kong WIllie Original Art
zoom
Eye of Toucan - Hong Kong WIllie Original Art Eye of Toucan - Hong Kong WIllie Original Art Eye of Toucan - Hong Kong WIllie Original Art Eye of Toucan - Hong Kong WIllie Original Art Eye of Toucan - Hong Kong WIllie Original Art
Hong Kong Willie "Eye of Toucan"

Authentic Key West influenced art. What once would have been sawdust spread to the wind, is now what you see here.

Superior reuse of materials.

Wood Source: Aged Sawmill Stock
Copper Hanger Source: Reclaimed Wire
Backing Screw Source: Reclaimed Brass Screw
Key West Fisherman ID Tag Referenced in ARtists Log
Hong Kong Willie Artist: Kim Brown



King James Version (KJV)


 16For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life.


Tampa gallery practices the art of creative reuse
By Kerry Schofield


The year was 1958. Joe Brown, 8, lived next to a county dump site in Tampa, Fla. Brown found old junk, fixed it up and sold it. Brown knew he had a higher calling in life — he was destined to be an artist.

Brown, who is now 60, makes art from trash at his Hong Kong Willie Tampa Art Gallery. He has embellished the outside of the gallery with splashes of Caribbean-color paint and found objects reminiscent of Key West.

Brown is as colorful as the gallery — he wears a bright tropical shirt with red, white and blue plaid shorts. Patrons tell him they can smell the salt water when they drive up. The gallery, however, is perched inland near Morris Bridge Road and Interstate 75 where a rusty-hair hen named Fred, first thought to be a rooster, patrols the property. Fred, abandoned five years ago by tourists, trots between the gallery and adjacent hotel leaving a trail of droppings behind her.

Brown lived on the Gunn Highway Landfill in Tampa from 1958 to 1963. The Hillsborough County landfill operated for four years and was closed in 1962. “It was astounding how quick they could fill the 15 acres in pits that were enormous,” Brown said.

An apartment complex now sits on top of the old landfill. A report by the Florida Department of Environmental Protection indicated that a lining was placed underneath the complex when it was built to block methane gas from leaking. The gas is a byproduct of rotting garbage.

 As a child, Brown lived on his father’s dairy and beef farm. Brown said during heavy rain, the low land on the farm flooded the neighboring Gunn Highway. In 1957, Hillsborough County officials offered to elevate the low land to stop the flooding by turning it into a landfill. When the property was sold in 1984 by Brown’s father, soil testing revealed heaps of old paper and punctured cans of spray paint.

“They dug up and took out newspapers like the day they were put in,” Brown said. “It reminded me of nuclear bombs that were going to go off. They dumped everything in the landfill.”

As a child, Brown foraged at nearby dumpsters. County workers saved junk for him that people dropped off. One day, Brown’s parents got a call from his elementary school teacher and told them that Brown had $100 in his pocket and that he must be stealing.

Brown picked up the saved junk after school and turned it into something new. Contrary to his elementary school teacher’s accusation, he wasn’t a thief after all. Instead he was a young entrepreneur who sold other people’s trash.

“There was so much excess coming into the landfill,” Brown said. “There was so much waste from our society.”

However, Brown’s mother wanted him to pursue his talents and dreams, not money. But he developed a business sense during his young junk collecting days and told his mother, “I’m not going to be an artist. I’ve read that artists starve to death.”

Brown’s mother became concerned. He said his mother knew “the value of happiness and the travels of life” and sent him to a summer art class.

The art teacher inspired awe in Brown. She taught him how to reuse baby food jars by melting the glass and adding marbles to the mix to create paper weights. The teacher had traveled to Hong Kong, China and Hiroshima, Japan after World War II. She saw how people were forced to recycle and reuse items out of necessity after the war. This left an impression on Brown.

It was at this time that he personified the name Hong Kong Willie, which harkens back to China where the mass production of merchandise occurs. The “Willies” are people like Brown and other environmentalists who try to reuse trash instead of throwing it into landfills.

After high school, Brown went to college to study business but dropped out after three years. He worked in the material handling industry until 1981. Although Brown had achieved a successful career and lifestyle, he had become discouraged in 1979.

“The change came from knowing that I had come to the point of what people call success,” Brown said. “I wasn’t happy inside.”

He had been diagnosed with depression in 1973, a condition that was caused from high fructose intake and that lasted for more than four years.

In 1985, Brown and his artist wife, Kim, bought the half-acre property off Fletcher Avenue and Morris Bridge Road. For two decades the two small wooden shacks, built around 1965, that now house the gallery operated as a bait and tackle shop.

Nowadays, Brown raises and sells worms by the pound mainly for composting. He recycled 250 thousand pounds in the worm bed in 2009. Brown still sells the worms for $3.50 a cup for fishing.

In 1981, Brown resurrected the Hong Kong Willie name from his childhood art class. In the early 1980s, both he and his wife, Kim, began upcycling trash into art. Brown entered another world when he left his mainstream lifestyle behind — he joined the art scene and booked rock bands at the same time.

The Brown family spent half their time in Tampa and the other half in a small home on Boot Key Harbor in Marathon. Brown gained the reputation of the Key West lobster buoy artist.

“I had a total different appearance when in Key West,” Brown said. “I used to have hair down to my waist.”

When Brown came back to Tampa, he lived in the woods for months at a time, much like Henry David Thoreau in “Walden,” who had lived a simple lifestyle in a one room cabin near Walden Pond in Concord, Mass.

Back in Key West, Brown became friends with local fishermen. He and others organized efforts to clean up plastic foam buoys that had collected in the waterways from years of fishing.

“You would go and find buoys floating in the mangroves, up on the shore and they had trashed up everything,” Brown said.

The Earth Resource Foundation reports that plastic foam is dumped into the environment. It breaks up into pieces and chokes animals by clogging their digestive system.

Brown sells the buoys from the Hong Kong Willie Art Gallery for $2.00 a piece. He said he has sold from 30 to 40 thousand buoys in the last ten years. Some of the buoys are more than 50 years old and are collected by tourists from China and Japan.

“If you go to the Keys right now and you see a buoy floating, you’ll see someone slam on the brakes to get it,” Brown said. “They’re the most prized buoys of the world.”

Brown made a holiday buoy tree 12 years ago from the Key West buoys. Hundreds of buoys are strung on rope and wrapped around a utility pole next to the gallery. Brown hopes the novelty of the buoy tree will inspire and stimulate children to find new ways to reduce, reuse and recycle garbage.

In Kate Shoup’s “Rubbish! Reuse Your Refuse,” the author said much of what we get is designed to be scrapped after only a few uses. We easily throw away pens, lighters, razors and dozens of other items. Shoup said Americans consume 2 million plastic drink bottles every 5 minutes.

Likewise, Brown finds uses for items that would otherwise end up in a landfill. He buys used burlap bags from coffee and peanut producers. He sells them to the U.S. National Forestry Service for the collection of pine seeds and Samuel Adams for hops production.

Brown and his wife, Kim, also make art hippie bags from the burlap sacks and sell them in the gallery. Kim, also an artist, paints fish, turtles, crows, parrots and the like on driftwood and on wood that Brown has salvaged from saw mills and from old buildings in Key West.

Brown said art is viewed and appreciated by certain people. “If it all came out the same, it would be like bland grits all the time,” Brown said. He likes to refer to the gallery art as reused rather than recycled, which takes waste and turns it into an inferior product.  Reuse on the other hand involves remaking an item and using it again for the same intended purpose.

“I also try to stay away from imprinting a definite use for a definite item,” Brown said. He explains that 2-liter bottles are not limited to making bird feeders. The bottles can be used for art and craft projects as well.

Brown said the larger message he wants to communicate is that the disposal of garbage today is creating a toxic environment.

 “I still have the original Gerber baby food bottle that I melted” Brown said. “It’s sitting on my mom’s little table.”

Hong Kong Willie photomontage

I'm working on a feature story about Hong Kong Willie aka Joe Brown and family who are reuse artists. I recently spent some time interviewing Joe Brown at his studio in Tampa, Fla. We had a pleasant talk about his working gallery. We sat outside and there was a nice breeze, although it was a warm sunny day still here in Florida. Join me in the midst of writing the story. I took a few pictures to share with you. Enjoy. 

Hong Kong Willie family art gallery.
Reuse artists from the 1960s.
Morris Bridge Road and Interstate 75, Tampa, Fla.
The garden shrubbery consists of recycled glass bottles and aloe vera plants.

Hundreds of lobster buoys from Key West, Fla., strung on rope,
wrapped and tied to a utility pole.

Hong Kong Willie orange helicopter that once served in
Vietnam and later used by a radio station.


Key West lobster buoys hang from the small 1950s wood frame building.
Tourists buy the buoys for souvenirs. Some of the buoys are 50 years old.  

The exterior of the roadside building is an artful blend of
Caribbean-color paint and found objects.

Seabird plaques, sea glass, melted bottles, painted driftwood
and rusty objects are a few of the items that decorate the wood panels.
Entrance into the small building, which is lined from ceiling to floor
with burlap sacks from South American coffee roasters.

Joe Brown and family also composts and sells worms.

Patrons buy worms for fishing and composting.
They also buy South American burlap coffee bean sacks. 

and make hippie beach bags.

Hong Kong Willie reuse artists use old clothes, buttons, baseball leather and
yarns to sew and decorate the burlap bags.



View photographs of the Hong Kong Willie art gallery
http://kerryschofieldjournal.blogspot.com/2010/09/hong-kong-willie-photomontage.html

Famous Tampa Artist


Black Bird of Key Largo

$98,000 To buy Contact Hongkongwillie

Black Bird of Key Largo
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Black Bird of Key Largo Black Bird of Key Largo Black Bird of Key Largo Black Bird of Key Largo Black Bird of Key Largo
"Black Bird of Key Largo"

The allurement of the winds blowing in the palm trees and the moon shining through and the "Black Bird of Key Largo" looking upon.
Hong Kong Willie



**HONG KONG WILLIE artist Kim Brown, chose aged Florida sawmill stock as canvas. Recovered Brass Hanger: Key West lobster trap rigging. Originally connects and suspends rigging of spiny lobster traps in Key West waters. Candy-like appearance due to multiple protective layers. Assigned number in artist register by Fisherman ID tag, corresponding burn-etched # rear of piece. Key recovered by Robert Jordan, acclaimed treasure hunter: also in identification of piece and artist.


Dimensions:
24" L
8" W
4" H
Weight: 17+ LB