Tuesday

I-75 Exit 266 Tampa Florida . UPDATED 4 / 12 / 2024

New Tampa Patch 

By Tristram DeRoma 

The Story Behind the Eye-Catching Art at I-75 Exit 266 Tampa Florida

 Famous  Florida Artist Joe Brown, better known as "Hong Kong Willie," makes art with a message at his home/studio near I 75 Exit 266 Tampa Florida.
Sometimes, it’s the smallest experiences that have the biggest impact on a person’s life.
While attending an art class in 1958 at the age of 8,  Famous Florida Artist,  Joe Brown recalled being mesmerized by the lesson. It involved transforming a Gerber baby bottle into a piece of art.
“The Gerber bottle had no intrinsic value at all,” he said. “But when (the instructor) got through with me that day, she made me see how something so (valueless) can be valuable.”
By the time class was over, Brown learned many other lessons, too, such as the importance of volunteerism, recycling, reuse and giving back to the community. He recalled being impressed by the teacher's volunteer work in Hiroshima, Japan, helping atomic bomb survivors.
"One of the last words she ever spoke to me about that was, ‘When I left, I left out of Hong Kong,’ ” he said. After turning that over in his young brain for awhile, he decided to use it in a nickname, adding the name “Willie” a year later.
You've probably seen Hong Kong Willie's eye-catching home/gallery/studio at Fletcher Avenue and Interstate 75. But what is the story of the man behind all those buoys and discarded objects turned into art?
Brown practiced his creative skills through his younger years. But as an adult, he managed to amass a small fortune working in the materials management industry. By the the '80s, he left the business world and decided to concentrate on his art. He spent some years in the Florida Keys honing his craft and building his reputation as a folk artist. He also bought some land in Tampa near Morris Bridge Road and Fletcher Avenue where he and his family still call home.
Brown purchased the land just after the entrances and exits to I-75 were built. He said he was once offered more than $1 million for the land by a restaurant. He turned it down, he said, preferring instead to make part of the property into a studio and gallery for the creations he and his family put together.
And all of it is made of what most people would consider “trash.” Pieces of driftwood, burlap bags, doll heads, rope — anything that comes Brown’s way becomes part of his vocabulary of expression, and, in turn, becomes something else, which makes a tour of his property somewhat of a visual adventure. What at first seems like a random menagerie of glass, driftwood and pottery suddenly comes together in one's brain to form something completely different. One moment nothing, the next a powerful statement about 9/11.
One Man's Trash ...
Trash? There is no such thing, Brown seems to say through his art.
He keeps a blog about his art at hongkongwillie.blogspot.com. .
In his shop, he has fashioned many smaller items out of driftwood, burlap bags and other materials into signs, purses, totes, bird feeder hangars and yard sculptures.
He sells a lot to the regular influx of University of South Florida parents and students every year who are are at first intrigued by the “buoy tree” and the odd-looking building they see as they take Exit 266 off I-75.
Brown Sells More Than Art
Of course, the real locals know Brown’s place for the quality of his worms.
If there’s one thing that Brown knows does well in the ground, it’s the Florida redworm, something he enthusiastically promotes, selling the indigenous species to customers for use in their compost piles. Some of his customers say his worms are just as good at the end of a fishing hook, though.
“To be honest, what made me come here is that they had scriptures on the top of his bait cans,” said customer John Brin. “Plus, they have good service. They’re nice and they’re kind, and they treat you like family.”
Though Brin knows Brown sells them mostly for composting, he said they are great for catching blue gill, sand perch and other local favorites. He also added that he likes getting his worms from Brown “because his bait stays alive longer than any other baits I’ve used.”
For prices and amounts, he has another blog dedicated just to worms.
Of course, many people also stop by to buy the smaller pieces of art that he and his family create: purses made of burlap, welcome signs made of driftwood, planters and other items lining the walls of his store.
He’s also helped put his mark on the decor of local establishments too, such as Gaspar’s Patio, 8448 N. 56th st.
Owner Jimmy Ciaccio said that when it came time to redecorate the restaurant several years ago, there was only one person to call for the assignment, and that was his good friend Brown.
"I’ve known Joe all my life, and we always had a good chemistry together,” Ciaccio said. "He’s very creative and fun to be around, and that’s how it all came about.”
Ciaccio says he still gets compliments all the time for the restaurant’s atmosphere he created using the “trash” supplied by Brown. He describes the style as a day at the beach, like a visit to Old Key West. “They’re so inspired, they want to decorate their own homes this way,” he said.
It’s that kind of testimony that makes Brown feel good, knowing that others, too, are inspired to create instead of throw away when they see his work. He simply lets his work speak for itself.

To Live a life in the art world and be so blessed to make a social impact. Artists are to give back, talent is to tell a story, to make change. Reuse is a life experience


Blue Marlin Dream of Key West.
$225,000  Hong Kong Willie Art








Friday

Exploring the Recycled World of Art . UPDATED 4 / 12 / 2024

Exploring the Recycled World of Art


 

Isha Harshe and Pankti Mehta, Editor-in-Chief



You know you have seen it. Whether you know it as “the Christmas tree” or the “art station,” Hong Kong Willie’s is a spectacular, unique sight.

Seated in the corner of Morris Bridge and I-75, Hong Kong Willie’s is a gallery where many unique pieces of art are displayed and sold.

Always seeing this place on our way to school, former Editor-in-Chief Pankti Mehta and I had wondered about it for a long time. At the beginning of this summer, we decided to go there and find out.

As we walked into the blue shack, we were greeted by a friendly face. Wearing a blue Hawaiian shirt and khaki shorts, and with his hair pulled back into a ponytail, Joe Brown, or more commonly known as Hong Kong Willie, welcomed us and shared with us the story of his life.

Hong Kong Willie is an artist who finds the meaning in what others would deem as “junk” items. His journey began in his childhood when he collected discarded items from the landfill where he lived and sold them.

“By the time I was eight years old, I was walking around with hundreds of dollars in my pockets,” Brown said.

He had never thought he would enter the realm of art, but his mother knew otherwise. She was the one who made him to go to art school.

“My mother believed that if you were born to do something, you were to do that,” he said.

At art school, he met the person who would inspire his nickname. His art teacher explained the importance and meaning behind insignificant, common items to her students. She had gone to Hiroshima shortly after the atomic bomb had been dropped, and then had left out of Hong Kong. Her inspirational story was the reason Brown nicknamed himself Hong Kong Willie.

When he was in college, the technological industry was booming, with many new innovations coming out in different areas of society. Brown decided to step into it. However, after being in the technological industry for a while, Brown went through a realization:

“I just wasn’t made up for that.”

Knowing that the technological world was filled with greed, Brown decided to step out of it in 1981. He knew that his life’s calling was to be artist, and he was going to be just that.

“We are here to tell a story … to take common items that are not manufactured media that have a meaning.”

He set up his station first in the Florida Keys, but then moved to Tampa, where he has now been living for 37 years.

A firm believer in predestination, Brown explains that he got these beliefs from his father.

“My father understood why he was here. And he made that of great importance to his children… My father gave me the understanding of why we were here. And to be determined to find that.”

In today’s fast-paced society, teaching of such life lessons has become rare. People are more motivated to “get famous and get money,” as Brown put it.

“I’m here just to exemplify and maximize why I’m here. That’s probably the greatest thing that I think is missed in families.”

Hong Kong Willie also explained one of his special pieces to us, which was called Miriosity. Shaped like a bird, Brown used the embedded frailties within the wood to bring out the meaning in the piece.

“Many artists don’t produce more than one great, great, great piece. And Miriosity, she just has all of those elements… Miriosity has a great future.”

Hong Kong Willie has supporters who come into his gallery and buy many of his pieces. With the money that he makes, he gives back a large portion to various social projects. His art is not just a business, and he makes that very clear.

“You can only buy a piece of art if you have fallen in love with it,” he said. He recalled a time when he turned down a buyer from buying some of his works because he knew the reason for buying those works was not genuine.

Hong Kong Willie keeps the presence of art alive in today’s society. Wherever his art goes, a piece of him will forever be with each piece. We are very grateful for his time and his dedication to his work.






Art Station, Hongkongwillie Art Gallery . UPDATED 5 / 4 / 2024

TAMPA, Fla. – Have you ever seen the building on the corner of Fletcher and 75 exit 266 with a bunch of buoys strung everywhere? This small business that many think is an old bait n’ tackle shop is actually Hong Kong Willie, a Famous Art Gallery

 By Tristram DeRoma

Business Profile: The Story Behind the Eye-Catching Art at I-75 Exit 266


Folk artist Joe Brown, better known as "Hong Kong Willie," makes art with a message at his home/studio near I-75's Exit 266.

 

Sometimes, it's the smallest experiences that have the biggest impact on a person's life.
While attending an art class in 1958 at the age of 8, Tampa folk artist Joe Brown recalled being mesmerized by the lesson. It involved transforming a Gerber baby bottle into a piece of art.
"The Gerber bottle had no intrinsic value at all," he said. "But when (the instructor) got through with me that day, she made me see how something so (valueless) can be valuable."
By the time class was over, Brown learned many other lessons, too, such as the importance of volunteerism, recycling, reuse and giving back to the community. He recalled being impressed by the teacher's volunteer work in Hiroshima, Japan, helping atomic bomb survivors.
"One of the last words she ever spoke to me about that was, 'When I left, I left out of Hong Kong,'" he said. After turning that over in his young brain for awhile, he decided to use it in a nickname, adding the name "Willie" a year later.
You've probably seen Hong Kong Willie's eye-catching home/gallery/studio at Fletcher Avenue and Interstate 75. But what is the story of the man behind all those buoys and discarded objects turned into art?
Brown practiced his creative skills through his younger years. But as an adult, he managed to amass a small fortune working in the materials management industry. By the '80s, he left the business world and decided to concentrate on his art. He spent some years in the Florida Keys honing his craft and building his reputation as a folk artist. He also bought some land in Tampa near Morris Bridge Road and Fletcher Avenue where he and his family still call home.
Brown purchased the land just after the entrances and exits to I-75 were built. He said he was once offered more than $1 million for the land by a restaurant. He turned it down, he said, preferring instead to make part of the property into a studio and gallery for the creations he and his family put together.
And all of it is made of what most people would consider "trash." Pieces of driftwood, burlap bags, doll heads, rope—anything that comes Brown's way becomes part of his vocabulary of expression, and, in turn, becomes something else, which makes a tour of his property somewhat of a visual adventure. What at first seems like a random menagerie of glass, driftwood and pottery suddenly comes together in one's brain to form something completely different. One moment nothing, the next a powerful statement about 9/11.
One Man's Trash ...Trash? There is no such thing, Brown seems to say through his art.
He keeps a blog about his art at http://www.hongkongwillie.org/ .
In his shop, he has fashioned many smaller items out of driftwood, burlap bags and other materials into signs, purses, totes, bird feeder hangars and yard sculptures.
He sells a lot to the regular influx of  parents and students every year who are are at first intrigued by the "buoy tree" and the odd-looking building they see as they take Exit 266 off I-75.
Of course, many people also stop by to buy the smaller pieces of art that he and his family create: purses made of burlap, welcome signs made of driftwood, planters and other items lining the walls of his store.
He's also helped put his mark on the decor of local establishments too, such as , 8448 N. 56th st.
Owner Jimmy Ciaccio said that when it came time to redecorate the restaurant several years ago, there was only one person to call for the assignment, and that was his good friend Brown.
"I've known Joe all my life, and we always had a good chemistry together," Ciaccio said. "He's very creative and fun to be around, and that's how it all came about."
Ciaccio says he still gets compliments all the time for the restaurant's atmosphere he created using the "trash" supplied by Brown. He describes the style as a day at the beach, like a visit to Old Key West.
"They're so inspired, they want to decorate their own homes this way," he said.
It's that kind of testimony that makes Brown feel good, knowing that others, too, are inspired to create instead of throw away when they see his work. He simply lets his work speak for itself.
"Somebody once told me to keep telling the story and they will keep coming," he said, "and they always do."

.

Wednesday

Famous Florida Artist . UPDATED 5 / 6 / 2024

The Views of Writers & Journalist About Hongkongwillie

Hong Kong Willie is so much more than a roadside attraction.

Atlas Obscura


















































Hong Kong Willie's is a cacophony of art and reuse.
Hong Kong Willie’s is a cacophony of art and reuse. All photos by Eric Grundhauser
The domain of Famous Florida Artist Hong Kong Willie covers an odd corner just off of a busy Tampa, Florida, highway. Nestled on a stretch of road largely populated by drab hotels, the clutch of brightly colored shacks that make up Joe Brown’s artistic empire stand out like a neon lighthouse of creativity.
Brown splits his time between his Tampa outpost and the place where his heart truly seems to lie, Key West. In a bright Hawaiian shirt and shorts that show arms and legs regularly baked by the Florida sun, his look might accurately be described as something like a modern island pirate.
Nearly every inch of space on Hong Kong Willie’s lot is home to some piece of art, decorated piece of detritus, or other found object. The walls are covered in old buoys, each node painted with a unique design. Under an old chair lies a pile of clip-on pagers. In the corner of the yard is a skeletal helicopter, covered with string lights; next to that towers what looks like a colossal Christmas tree made of those same lobster buoys. Even the asphalt driveway is covered in splatters of bright paint, so that it looks better on Google Earth, according to Brown. “Everything is precious,” he says, summing up the ethos of reuse, reinvention, and imagination his unique roadside attraction embodies.
All junk is precious.
All junk is precious.
If Hong Kong Willie, a moniker Brown himself sometimes takes on, sounds like like the lovechild of an art gallery and a seaside trash heap, that’s because it pretty much is. Brown, who says he was “born an artist,” has been shaped by both creativity and junk since an early age. Now in his 60s, Brown says his father once donated a chunk of their family’s land to Hillsborough County so that it could be used as a much-needed landfill, but was never compensated or acknowledged for the gift. Still, Brown grew up exploring the landfill, scavenging for treasures. Surrounded by what most people consider junk, he developed a special appreciation for things that get thrown away. “I was meant to paint on boards,” he says.
At the age of eight, Brown took an art class where his teacher shared that she had spent a lot of time volunteering in Hiroshima. Learning that there was a strong local tradition in Hiroshima of turning tossed off items into art, this too had an impact on Brown. This same teacher later told him that she had left Asia out of Hong Kong, and this little factoid apparently led to his adoption of the name Hong Kong Willie. She also passed on a passion for art. Brown would eventually start a career in the technology industry, but since then he’s returned to his artistic roots.
Hong Kong Willie's main shack.
Hong Kong Willie’s main shack.
Perched on top of one of the small structures on Brown’s land are large, reused letters that say “art station,” but this place really couldn’t be mistaken for anything else. When Brown first established the Hong Kong Willie site, he says there was a collective of five artists working on the project, but now the living gallery is run and supplied only by him and his wife, Kim. Inside the art station, the space is bursting. One of Hong Kong Willie’s signature items are rugged pieces of locally sourced scrap wood and boards that Kim adorns with colorful painted works. There are birds, beach scenes, abstract shapes, and other designs that look unmistakably Floridian.

In addition to the boards, the space is littered with a variety of creations, including painted burlap sacks, trinkets made of shells, shaped glass bottles, and old shoes tacked to the walls. The concept that every object or piece of media is of value, and can be recycled into art, is the driving force behind Hong Kong Willie.
Every inch of the site has some hand-made touch and flourish.
Every inch of the site has some hand-made touch and flourish.
Nearly everything at Hong Kong Willie’s is also for sale, from random pieces of coral to the lushly decorated boards that cover the walls. Old Coke bottles filled with sand and shells, with “Beach-front Property, Tampa, Florida” written on them, go for $4.95. The lines between kitsch, whimsy, commerce, and environmentalism bleed together here. Brown says that pieces of Hong Kong Willie art have sold for $175,000 or more. One item , painted by Kim, is listed for $98,000.
Brown says they give most of that kind of money to charity, keeping the lights on by selling “Red Wiggler” worms for use in composting or as fishing bait.
One day, Brown says, he’ll close up shop and head to Key West for good. Until then, Hong Kong Willie stands as a beacon of reckless creativity and appreciation for the treasures most people just throw away.

THE IRONY OF IT ALL
 Hong Kong Willie Art ,Blue Marlin Dream of Key West. $225,000 To Inquire  about Hongkongwillie Art Call  Hongkongwillie




 

 

 

 

My Father was a generous man . Hillsborough County  was in need for a dump. They showed  him studies that DUMPS(they called SANITARY  LANDFILL) WERE SAFE. HE DONATED THE LAND FOR THAT USE. NEVER RECEIVED ONE CENT OF COMPENSATION,AND DID THIS AS A PUBLIC SERVICE.

  It,(was the dump) that had all this media, and a young enterprising mind. Not enough time to capture it all.


BY SOHINI LAHIRI
Growing up in Tampa, I spent a period of time fascinated by a quirky, eye-catching landmark at Fletcher Avenue and Interstate 75. This was also the period of time I spent obsessed with making binoculars out of toilet paper rolls and necklaces out of pop tops. To me, this sight was the epitome of similar creative craziness, and I often found myself looking for it during car journeys, hoping it hadn’t disappeared overnight.
But time passes and so does the urge for pop-top necklaces, and observant eyes don’t notice the same sights. It wasn’t until recently that I once again took note of the scene, with its broken down orange helicopter, a tree made of what seems to be indestructible balloons and a blue-and-white house covered with trash remade into art.
It’s the home of Famous Artist Hong Kong Willie.
I finally paid a visit to this art gallery after many years of wondering about the story behind it. The pavement leading to the door is painted with handprints and splatters, the store edged with upside down Coke bottles. Streams of lobster buoys hang from the roof and also make up the “tree” I marveled at so often from my car window.
Various shoes, bottles, clocks and signs are glued to the side of the store, and there’s a tribute to Sept. 11 off to the side. No one seemed to be home, so I called the number on the “WE’RE OPEN” sign, which brought a middle-aged man in a bright Hawaiian shirt from behind the store.
After a few basic questions, Joe Brown begins to open up about the history surrounding his art.
Brown, better known as Hong Kong Willie, says he was an artist from the start. “Everyone is born an artist,” he said. “However some are granted the gift of being able to express that art.”
As a young boy, his mother decided to send him to art school, which he says changed the course of his life forever.
At the age of 8, Brown recalls being heavily influenced by the lessons, which included transforming a Gerber baby bottle, something with no real value, into a piece of art. His teacher had spent an enormous amount of time and effort in Hiroshima, Japan, helping those affected by the atomic bombs. Brown learned many lessons about recycling from this teacher, who had come from Hong Kong. Brown added an American name, Willie, to Hong Kong for his nickname Hong Kong Willie.
While Brown grew up to be an artist, he left the world of mainstream art to return to his background in technology.
“But on Nov. 13th, 1981 … on a Friday at 1:30 in the afternoon, I had an epiphany,” Brown says. “I was at a friend’s house right across the street,” pausing to point at a row of apartments across from his store, “and a series of events led me to rejoin the art world.”
With the help of two other artists, Brown set up his business in the Florida Keys in the early 1980s, then moved it to Tampa. Together, they believed that they were predestined for the Green Movement, and have been making art out of recyclables for close to 30 years.
How’s business? He smiles. “It’s pretty wild.”
Inside, Hong Kong Willie’s art includes glossy pieces of driftwood restored and painted with beautiful landscapes and kernels of truth, some of the gorgeous work priced in the six figures. But there’s also a wide collection of handmade bags, wooden sculptures and sassy bracelets for more moderate prices.
A portion of the proceeds go to benefit the Green Movement, Brown says.
With a laid-back swagger, Brown continues. “We live pretty minimally. And all the funds we get from donations and our art sales are delegated to green projects.”
I’m not sure what I was expecting when I decided to visit Hong Kong Willie. Certainly not the breathtaking art inside, and definitely not the history behind it. I’m feeling thick-headed for not visiting years ago, and say so.
Brown offers a last bit of insight:
“I’m a big believer in predestination and timing. If someone is not ready to view art, the door is closed. Every piece of art that is made, and every project we do is done for a reason. It doesn’t matter if that reason shows up the next day, or walks in six years later; every piece of art will find a home.”

Watching the Paint ,a Great exploding of Colors from the truck hit the pit. What a memory. Was this the beginnings of Green for i.

 




 FUNDING FOR THIS PROGRAM IS MADE POSSIBLE BY THE
S.L. GIMBEL FOUNDATION.
IN THIS EDITION OF "WEDU ARTS PLUS,Hongkongwillie





MY FOX TAMPA BAY, Famous Florida Artist,Tampa Art Galleries Fletcher and 75


 



 16For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life.

New Tampa Patch 

By Tristram DeRoma 

The Story Behind the Eye-Catching Art at I-75 Exit 266 Tampa Florida

Famous Florida Artist Joe Brown, better known as "Hong Kong Willie," makes art with a message at his home/studio near

I-75 Exit 266 Tampa Florida

Sometimes, it’s the smallest experiences that have the biggest impact on a person’s life.
While attending an art class in 1958 at the age of 8, Tampa folk artist Joe Brown recalled being mesmerized by the lesson. It involved transforming a Gerber baby bottle into a piece of art.
“The Gerber bottle had no intrinsic value at all,” he said. “But when (the instructor) got through with me that day, she made me see how something so (valueless) can be valuable.”
By the time class was over, Brown learned many other lessons, too, such as the importance of volunteerism, recycling, reuse and giving back to the community. He recalled being impressed by the teacher's volunteer work in Hiroshima, Japan, helping atomic bomb survivors.
"One of the last words she ever spoke to me about that was, ‘When I left, I left out of Hong Kong,’ ” he said. After turning that over in his young brain for awhile, he decided to use it in a nickname, adding the name “Willie” a year later.
You've probably seen Hong Kong Willie's eye-catching home/gallery/studio at Fletcher Avenue and Interstate 75. But what is the story of the man behind all those buoys and discarded objects turned into art?
Brown practiced his creative skills through his younger years. But as an adult, he managed to amass a small fortune working in the materials management industry. By the the '80s, he left the business world and decided to concentrate on his art. He spent some years in the Florida Keys honing his craft and building his reputation as a folk artist. He also bought some land in Tampa near Morris Bridge Road and Fletcher Avenue where he and his family still call home.
Brown purchased the land just after the entrances and exits to I-75 were built. He said he was once offered more than $1 million for the land by a restaurant. He turned it down, he said, preferring instead to make part of the property into a studio and gallery for the creations he and his family put together.
And all of it is made of what most people would consider “trash.” Pieces of driftwood, burlap bags, doll heads, rope — anything that comes Brown’s way becomes part of his vocabulary of expression, and, in turn, becomes something else, which makes a tour of his property somewhat of a visual adventure. What at first seems like a random menagerie of glass, driftwood and pottery suddenly comes together in one's brain to form something completely different. One moment nothing, the next a powerful statement about 9/11.
One Man's Trash ...
Trash? There is no such thing, Brown seems to say through his art.
He keeps a blog about his art at hongkongwillie.blogspot.com. He also sells his creations through the Website Etsy.com.
In his shop, he has fashioned many smaller items out of driftwood, burlap bags and other materials into signs, purses, totes, bird feeder hangars and yard sculptures.
He sells a lot to the regular influx of University of South Florida parents and students every year who are are at first intrigued by the “buoy tree” and the odd-looking building they see as they take Exit 266 off I-75.
Brown Sells More Than Art
Of course, the real locals know Brown’s place for the quality of his worms.
If there’s one thing that Brown knows does well in the ground, it’s the Florida redworm, something he enthusiastically promotes, selling the indigenous species to customers for use in their compost piles. Some of his customers say his worms are just as good at the end of a fishing hook, though.
“To be honest, what made me come here is that they had scriptures on the top of his bait cans,” said customer John Brin. “Plus, they have good service. They’re nice and they’re kind, and they treat you like family.”
Though Brin knows Brown sells them mostly for composting, he said they are great for catching blue gill, sand perch and other local favorites. He also added that he likes getting his worms from Brown “because his bait stays alive longer than any other baits I’ve used.”
For prices and amounts, he has another blog dedicated just to worms.
Of course, many people also stop by to buy the smaller pieces of art that he and his family create: purses made of burlap, welcome signs made of driftwood, planters and other items lining the walls of his store.
He’s also helped put his mark on the decor of local establishments too, such as Gaspar’s Patio, 8448 N. 56th st.
Owner Jimmy Ciaccio said that when it came time to redecorate the restaurant several years ago, there was only one person to call for the assignment, and that was his good friend Brown.
"I’ve known Joe all my life, and we always had a good chemistry together,” Ciaccio said. "He’s very creative and fun to be around, and that’s how it all came about.”
Ciaccio says he still gets compliments all the time for the restaurant’s atmosphere he created using the “trash” supplied by Brown. He describes the style as a day at the beach, like a visit to Old Key West. “They’re so inspired, they want to decorate their own homes this way,” he said.
It’s that kind of testimony that makes Brown feel good, knowing that others, too, are inspired to create instead of throw away when they see his work. He simply lets his work speak for itself.
“Somebody once told me to keep telling the story and they will keep coming," he said, "and they always do."


 

Florida Artist . UPDATED 5 / 5 / 2024

THE IRONY OF IT ALL
 Hong Kong Willie Art ,Blue Marlin Dream of Key West. $225,000 To Inquire  about Hongkongwillie Art Call  Hongkongwillie

 

 


The Views of Writers & Journalist About Hongkongwillie


BY SOHINI LAHIRI
Growing up in Tampa, I spent a period of time fascinated by a quirky, eye-catching landmark at Fletcher Avenue and Interstate 75. This was also the period of time I spent obsessed with making binoculars out of toilet paper rolls and necklaces out of pop tops. To me, this sight was the epitome of similar creative craziness, and I often found myself looking for it during car journeys, hoping it hadn’t disappeared overnight.
But time passes and so does the urge for pop-top necklaces, and observant eyes don’t notice the same sights. It wasn’t until recently that I once again took note of the scene, with its broken down orange helicopter, a tree made of what seems to be indestructible balloons and a blue-and-white house covered with trash remade into art.
It’s the home of Famous Artist Hong Kong Willie.
I finally paid a visit to this art gallery after many years of wondering about the story behind it. The pavement leading to the door is painted with handprints and splatters, the store edged with upside down Coke bottles. Streams of lobster buoys hang from the roof and also make up the “tree” I marveled at so often from my car window.
Various shoes, bottles, clocks and signs are glued to the side of the store, and there’s a tribute to Sept. 11 off to the side. No one seemed to be home, so I called the number on the “WE’RE OPEN” sign, which brought a middle-aged man in a bright Hawaiian shirt from behind the store.
After a few basic questions, Joe Brown begins to open up about the history surrounding his art.
Brown, better known as Hong Kong Willie, says he was an artist from the start. “Everyone is born an artist,” he said. “However some are granted the gift of being able to express that art.”
As a young boy, his mother decided to send him to art school, which he says changed the course of his life forever.
At the age of 8, Brown recalls being heavily influenced by the lessons, which included transforming a Gerber baby bottle, something with no real value, into a piece of art. His teacher had spent an enormous amount of time and effort in Hiroshima, Japan, helping those affected by the atomic bombs. Brown learned many lessons about recycling from this teacher, who had come from Hong Kong. Brown added an American name, Willie, to Hong Kong for his nickname Hong Kong Willie.
While Brown grew up to be an artist, he left the world of mainstream art to return to his background in technology.
“But on Nov. 13th, 1981 … on a Friday at 1:30 in the afternoon, I had an epiphany,” Brown says. “I was at a friend’s house right across the street,” pausing to point at a row of apartments across from his store, “and a series of events led me to rejoin the art world.”
With the help of two other artists, Brown set up his business in the Florida Keys in the early 1980s, then moved it to Tampa. Together, they believed that they were predestined for the Green Movement, and have been making art out of recyclables for close to 30 years.
How’s business? He smiles. “It’s pretty wild.”
Inside, Hong Kong Willie’s art includes glossy pieces of driftwood restored and painted with beautiful landscapes and kernels of truth, some of the gorgeous work priced in the six figures. But there’s also a wide collection of handmade bags, wooden sculptures and sassy bracelets for more moderate prices.
A portion of the proceeds go to benefit the Green Movement, Brown says.
With a laid-back swagger, Brown continues. “We live pretty minimally. And all the funds we get from donations and our art sales are delegated to green projects.”
I’m not sure what I was expecting when I decided to visit Hong Kong Willie. Certainly not the breathtaking art inside, and definitely not the history behind it. I’m feeling thick-headed for not visiting years ago, and say so.
Brown offers a last bit of insight:
“I’m a big believer in predestination and timing. If someone is not ready to view art, the door is closed. Every piece of art that is made, and every project we do is done for a reason. It doesn’t matter if that reason shows up the next day, or walks in six years later; every piece of art will find a home.”




 16For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life.

New Tampa Patch 

By Tristram DeRoma 

The Story Behind the Eye-Catching Art at I-75 Exit 266 Tampa Florida

Famous Florida Artist Joe Brown, better known as "Hong Kong Willie," makes art with a message at his home/studio near

I-75 Exit 266 Tampa Florida

Sometimes, it’s the smallest experiences that have the biggest impact on a person’s life.
While attending an art class in 1958 at the age of 8, Tampa folk artist Joe Brown recalled being mesmerized by the lesson. It involved transforming a Gerber baby bottle into a piece of art.
“The Gerber bottle had no intrinsic value at all,” he said. “But when (the instructor) got through with me that day, she made me see how something so (valueless) can be valuable.”
By the time class was over, Brown learned many other lessons, too, such as the importance of volunteerism, recycling, reuse and giving back to the community. He recalled being impressed by the teacher's volunteer work in Hiroshima, Japan, helping atomic bomb survivors.
"One of the last words she ever spoke to me about that was, ‘When I left, I left out of Hong Kong,’ ” he said. After turning that over in his young brain for awhile, he decided to use it in a nickname, adding the name “Willie” a year later.
You've probably seen Hong Kong Willie's eye-catching home/gallery/studio at Fletcher Avenue and Interstate 75. But what is the story of the man behind all those buoys and discarded objects turned into art?
Brown practiced his creative skills through his younger years. But as an adult, he managed to amass a small fortune working in the materials management industry. By the the '80s, he left the business world and decided to concentrate on his art. He spent some years in the Florida Keys honing his craft and building his reputation as a folk artist. He also bought some land in Tampa near Morris Bridge Road and Fletcher Avenue where he and his family still call home.
Brown purchased the land just after the entrances and exits to I-75 were built. He said he was once offered more than $1 million for the land by a restaurant. He turned it down, he said, preferring instead to make part of the property into a studio and gallery for the creations he and his family put together.
And all of it is made of what most people would consider “trash.” Pieces of driftwood, burlap bags, doll heads, rope — anything that comes Brown’s way becomes part of his vocabulary of expression, and, in turn, becomes something else, which makes a tour of his property somewhat of a visual adventure. What at first seems like a random menagerie of glass, driftwood and pottery suddenly comes together in one's brain to form something completely different. One moment nothing, the next a powerful statement about 9/11.
One Man's Trash ...
Trash? There is no such thing, Brown seems to say through his art.
He keeps a blog about his art at hongkongwillie.blogspot.com. He also sells his creations through the Website Etsy.com.
In his shop, he has fashioned many smaller items out of driftwood, burlap bags and other materials into signs, purses, totes, bird feeder hangars and yard sculptures.
He sells a lot to the regular influx of University of South Florida parents and students every year who are are at first intrigued by the “buoy tree” and the odd-looking building they see as they take Exit 266 off I-75.
Brown Sells More Than Art
Of course, the real locals know Brown’s place for the quality of his worms.
If there’s one thing that Brown knows does well in the ground, it’s the Florida redworm, something he enthusiastically promotes, selling the indigenous species to customers for use in their compost piles. Some of his customers say his worms are just as good at the end of a fishing hook, though.
“To be honest, what made me come here is that they had scriptures on the top of his bait cans,” said customer John Brin. “Plus, they have good service. They’re nice and they’re kind, and they treat you like family.”
Though Brin knows Brown sells them mostly for composting, he said they are great for catching blue gill, sand perch and other local favorites. He also added that he likes getting his worms from Brown “because his bait stays alive longer than any other baits I’ve used.”
For prices and amounts, he has another blog dedicated just to worms.
Of course, many people also stop by to buy the smaller pieces of art that he and his family create: purses made of burlap, welcome signs made of driftwood, planters and other items lining the walls of his store.
He’s also helped put his mark on the decor of local establishments too, such as Gaspar’s Patio, 8448 N. 56th st.
Owner Jimmy Ciaccio said that when it came time to redecorate the restaurant several years ago, there was only one person to call for the assignment, and that was his good friend Brown.
"I’ve known Joe all my life, and we always had a good chemistry together,” Ciaccio said. "He’s very creative and fun to be around, and that’s how it all came about.”
Ciaccio says he still gets compliments all the time for the restaurant’s atmosphere he created using the “trash” supplied by Brown. He describes the style as a day at the beach, like a visit to Old Key West. “They’re so inspired, they want to decorate their own homes this way,” he said.
It’s that kind of testimony that makes Brown feel good, knowing that others, too, are inspired to create instead of throw away when they see his work. He simply lets his work speak for itself.
“Somebody once told me to keep telling the story and they will keep coming," he said, "and they always do."

Monday

Used BOUYS, CRAB POT FLOATS, LOBSTER BUOY . UPDATED 5 / 5 / 2024


Used Key West Lobster Buoy Floats (3)

BUY NOW 24.99 Call Hongkongwillie




John 3:16

King James Version (KJV)


 16For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life.







Sometimes, it’s the smallest experiences that have the biggest impact on a person’s life.
While attending an art class in 1958 at the age of 8, Tampa folk artist Joe Brown recalled being mesmerized by the lesson. It involved transforming a Gerber baby bottle into a piece of art.
“The Gerber bottle had no intrinsic value at all,” he said. “But when (the instructor) got through with me that day, she made me see how something so (valueless) can be valuable.”
By the time class was over, Brown learned many other lessons, too, such as the importance of volunteerism, recycling, reuse and giving back to the community. He recalled being impressed by the teacher's volunteer work in Hiroshima, Japan, helping atomic bomb survivors.
"One of the last words she ever spoke to me about that was, ‘When I left, I left out of Hong Kong,’ ” he said. After turning that over in his young brain for awhile, he decided to use it in a nickname, adding the name “Willie” a year later.
You've probably seen Hong Kong Willie's eye-catching home/gallery/studio at Fletcher Avenue and Interstate 75. But what is the story of the man behind all those buoys and discarded objects turned into art?
Brown practiced his creative skills through his younger years. But as an adult, he managed to amass a small fortune working in the materials management industry. By the the '80s, he left the business world and decided to concentrate on his art. He spent some years in the Florida Keys honing his craft and building his reputation as a folk artist. He also bought some land in Tampa near Morris Bridge Road and Fletcher Avenue where he and his family still call home.
Brown purchased the land just after the entrances and exits to I-75 were built. He said he was once offered more than $1 million for the land by a restaurant. He turned it down, he said, preferring instead to make part of the property into a studio and gallery for the creations he and his family put together.
And all of it is made of what most people would consider “trash.” Pieces of driftwood, burlap bags, doll heads, rope — anything that comes Brown’s way becomes part of his vocabulary of expression, and, in turn, becomes something else, which makes a tour of his property somewhat of a visual adventure. What at first seems like a random menagerie of glass, driftwood and pottery suddenly comes together in one's brain to form something completely different. One moment nothing, the next a powerful statement about 9/11.
One Man's Trash ...
Trash? There is no such thing, Brown seems to say through his art.
He keeps a blog about his art at hongkongwillie.blogspot.com. .
In his shop, he has fashioned many smaller items out of driftwood, burlap bags and other materials into signs, purses, totes, bird feeder hangars and yard sculptures.
He sells a lot to the regular influx of University of South Florida parents and students every year who are are at first intrigued by the “buoy tree” and the odd-looking building they see as they take Exit 266 off I-75.


He’s also helped put his mark on the decor of local establishments too, such as Gaspar’s Patio, 8448 N. 56th st.
Owner Jimmy Ciaccio said that when it came time to redecorate the restaurant several years ago, there was only one person to call for the assignment, and that was his good friend Brown.
"I’ve known Joe all my life, and we always had a good chemistry together,” Ciaccio said. "He’s very creative and fun to be around, and that’s how it all came about.”
Ciaccio says he still gets compliments all the time for the restaurant’s atmosphere he created using the “trash” supplied by Brown. He describes the style as a day at the beach, like a visit to Old Key West. “They’re so inspired, they want to decorate their own homes this way,” he said.
It’s that kind of testimony that makes Brown feel good, knowing that others, too, are inspired to create instead of throw away when they see his work. He simply lets his work speak for itself.
“Somebody once told me to keep telling the story and they will keep coming," he said, "and they always do."

Worm Castings . UPDATED 5 / 5 / 2024


Why Use Florida Red Wigglers Castings?

With the exception of water and sunlight, nothing could be more natural for your garden than earthworm castings. Not steer manure, not chicken manure, not even fish emulsion is as natural for your garden as earthworm castings! After all, when digging in your garden have you ever found a live cow, chicken, or fish? No, what you do find are live worms. Mother Nature created the mighty worm about 570 million years ago to care for her plant life by caring for the soil. As the earthworm eats its way through the soil, it takes in bits of soil and rotting or decaying plants (organic matter).
And what comes out is the richest food your plants will ever find, yet will not burn a plant! Earthworms have the unique ability to increase the amount of nutrients and minerals in the soil by as much as 10 times the value of the plant debris there. These minerals and nutrients are properly conditioned for the best root growth and lush plant growth – plus it’s odor free!
Why Gardeners  Use Worm Casting .
 
One of the biggest challenges they face is trying to identify the perfect plant food. While it's often been overlooked, because it's somewhat difficult to find, worm castings are proving to be the ideal soil supplement for Plants.
Many gardeners  have found that it shortens the germination cycle for new plants, increases yield on their crop overall, and does it all while protecting the plants from disease. As if that wasn't enough, worm castings are also chemical-free. This makes it an especially attractive option for organic growers, specifically.

Worm Compost,Worm Casting. Vermicompost,(Vermicast )Tampa .
  5 Gallon Bucket approx 35 lbs $45.00. .
Google Maps Red Wiggler,Red Worms,Worm Castings. Worm Castings For Sale 
 12212 Morris Bridge Rd
Tampa, FL 33637 

Hours
Mon
10:00 am - 6:00 pm
Tue 10:00 am - 6:00 pm
Wed 10:00 am - 6:00 pm
Thu 10:00 am - 6:00 pm
Fri 10:00 am - 6:00 pm
Sat 10:00 am - 3:00 pm
Sun Closed

 813 770 4794









Worm Castings Tampa+Florida

It takes Years to build true Worm Castings,not a month. Our Worm Castings take 5 years. It is critical what is used in the process. No GMO GRAINS,NO NEWS PAPER,NO CARDBOARD. NO SOURCE THAT HAS Pesticides,Herbicides,or fungicide. NO MANURE FROM ANY SOURCE THAT USE ANY COMERICAL FEED,NO HORSE STABLE MANURE ,FOR THEY USE MEDCATION IN WORMING THE HORSES,(WITH ALMOST 99% DO).


GOOGLE CARDBOARD DANGERS 


5 Gallon Buckets aprox 35 lbs .$45.00
Our Address is 12212 Morris Bridge Rd Tampa Florida 33637. Look for us at I 75 Exit 266 Tampa Worm Castings For Sale In Florida









If you compost with contaminated material toxins build up. Grains ,Lawn clippings,vegetable mater from commercial growing operations or Lawns carry excessive amounts of Pesticides,Herbicides which in turn kill the composting Worms
Contaminated Worm Castings. Toxins might be lurking in that Worm Castings you’re about to buy?
The NOP initially proposed setting a strict upper limit for bifenthrin levels in Worm Castings but abandoned the idea when wider tests revealed that many brands of commercial Worm Castings wouldn’t pass.

We compost material that has not been exposed to pesticides,herbicides,fertilizers,growth Hormones,and animal medications .
Compost from Florida Worm Farm.
What we do not Compost. Grains main concern (Corn ,Soil Beans) from feeds that are GMO. Almost 100% of all corn and soy bean feed is GMO. Roundup, GMOs linked to emergence of deadly new pathogen causing spontaneous abortions among animals.Manures from Grain feed animals. Rabbits,Cows,Chickens,Pigs and Horses .We find that manure from large dairy farms could have antibiotics or growth hormones. Scientists are also concerned about the environmental impacts of hormone residues in cow manure

Cardboard, Great Dangers.It turns out a lot of chemicals are used to manufacture the boxes, from treating the wood pulp, to gluing the paper, and dyeing & bleaching the cardboard. And my "bad" chemical, sulfur, is used in the process. In fact several classes of sulfur are employed in the process. Many of these toxins transfer up thru the plant we consume.


Contaminated compost? Toxins might be lurking in that Compost you’re about to buy?

 The NOP initially proposed setting a strict upper limit for bifenthrin levels in compost but abandoned the idea when wider tests revealed that many brands of commercial compost wouldn’t pass.

 http://grist.org/food/2011-06-07-contaminated-compost-toxins-might-lurk-in-that-bag-youre-buying/




Google Hongkongwillie compost


Compost, Green Compost. Composted By Native Composting Florida Red Wigglers.
Hong Kong Willie Compost






 Most Animal feeds have dangerous additives .
http://articles.latimes.com/2009/oct/31/business/fi-feed31


 Despite opposition from scientists, farmers and consumers, the US currently allows dairy cows to be injected with recombinant bovine growth hormone (rBGH), also known as recombinant bovine somatotropin (rBST). Developed and manufactured by the Monsanto Corporation, this genetically engineered hormone forces cows to artificially increase milk production by 10 to 15 percent.
 http://www.sustainabletable.org/issues/rbgh/

http://hongkongwilliesart.blogspot.com/2011/10/compost-tampacompost-for-sale-tampa.html