MYSTERIOSITY HONG KONG WILLIE ART . UPDATED 5 / 1 / 2024

It all started on a landfill in Tampa
It,(was the dump) that had all this media, and a young enterprising mind. Not enough time to capture it all. 

 Famous Key West Green Artist 

 

 A short moment of time Hong Kong Willie

The first time i can remember, The Florida Keys. The long road , narrow water on both sides. Beach, not to my understanding. Key West, Duval St, only what tourists see, was my first impression. WOW, that would change

 i received a phone call from Al in Ramrod Key, a Florida Key. A Key that is about 27 miles from Key West. Al: a rocker, drummer, out there kind a guy. Al and i met in a funny way. Al living near some small town in Massachusetts also having this cool place in the Florida Keys.
Artist have this draw to the Keys, Why, Well it took this road to discover. Al now living in Ramrod, calling to tell what had happen in the Isle of Ramrod. Not to mention Cat, oh i forgot, Cat is how i met Al.

Al, someone that, well to say what a friend. Some nights sleeping on his pool table. and not far is No Name Pub, well there you go, pub, by any other name spells trouble. Well contrary to your disbelief, what a place of history. This is where it begins.or When its begins.

This once remote Key, NO NAME KEY,NO NAME PUB, remote, to say the
least, pub , when seeing the place, everything you can believe, and more,
just from the appearance. Now no matter what you have heard second
thoughts still occur.. Its still time turn around, not to night. The
Rainbow Trail by Zane Grey, was spoken here, my first exposure to the
days of Zane Grey, oh I'm getting ahead of myself. No Name Pub, a Zayne
Grey second office in the Keys, later to be one of mine. No Name Pub,
the history, the wild west, well, great writers, why they come here, No
Name Pub. Real artist, Real Treasure hunters, Fisherman, and the trade no
one saw, all came. No one made a big deal who came or left.

It was part of the beginning for the art support. A meeting place for the who's who in the world of the Keys.
Egos left a the door.
Appreciating that you did not get lost in that world .
Artist that had made it and willing to give you support. .
This was a place that I will always remember for the time I sharpen my artist skills..

You know you have seen it. Whether you know it as “the Christmas tree” or the “art station,” Hong Kong Willie’s is a spectacular, unique sight.

Seated in the corner of Morris Bridge and I-75, Hong Kong Willie’s is a gallery where many unique pieces of art are displayed and sold.

Always seeing this place on our way to school, former Editor-in-Chief Pankti Mehta and I had wondered about it for a long time. At the beginning of this summer, we decided to go there and find out.

As we walked into the blue shack, we were greeted by a friendly face. Wearing a blue Hawaiian shirt and khaki shorts, and with his hair pulled back into a ponytail, Joe Brown, or more commonly known as Hong Kong Willie, welcomed us and shared with us the story of his life.

Hong Kong Willie is an artist who finds the meaning in what others would deem as “junk” items. His journey began in his childhood when he collected discarded items from the landfill where he lived and sold them.

“By the time I was eight years old, I was walking around with hundreds of dollars in my pockets,” Brown said.

He had never thought he would enter the realm of art, but his mother knew otherwise. She was the one who made him to go to art school.

“My mother believed that if you were born to do something, you were to do that,” he said.

At art school, he met the person who would inspire his nickname. His art teacher explained the importance and meaning behind insignificant, common items to her students. She had gone to Hiroshima shortly after the atomic bomb had been dropped, and then had left out of Hong Kong. Her inspirational story was the reason Brown nicknamed himself Hong Kong Willie.

When he was in college, the technological industry was booming, with many new innovations coming out in different areas of society. Brown decided to step into it. However, after being in the technological industry for a while, Brown went through a realization:

“I just wasn’t made up for that.”

Knowing that the technological world was filled with greed, Brown decided to step out of it in 1981. He knew that his life’s calling was to be artist, and he was going to be just that.

“We are here to tell a story … to take common items that are not manufactured media that have a meaning.”

He set up his station first in the Florida Keys, but then moved to Tampa, where he has now been living for 37 years.

A firm believer in predestination, Brown explains that he got these beliefs from his father.

“My father understood why he was here. And he made that of great importance to his children… My father gave me the understanding of why we were here
And to be determined to find that.”

In today’s fast-paced society, teaching of such life lessons has become rare. People are more motivated to “get famous and get money,” as Brown put it.

“I’m here just to exemplify and maximize why I’m here. That’s probably the greatest thing that I think is missed in families.”

Hong Kong Willie also explained one of his special pieces to us, which was called Miriosity. Shaped like a bird, Brown used the embedded frailties within the wood to bring out the meaning in the piece.

“Many artists don’t produce more than one great, great, great piece. And Miriosity, she just has all of those elements… Miriosity has a great future.”

 MYSTERIOSITY HONG KONG WILLIE ART, Famous Tampa + Florida Artist ,$176,000

Hong Kong Willie has supporters who come into his gallery and buy many of his pieces. With the money that he makes, he gives back a large portion to various social projects. His art is not just a business, and he makes that very clear.

“You can only buy a piece of art if you have fallen in love with it,” he said. He recalled a time when he turned down a buyer from buying some of his works because he knew the reason for buying those works was not genuine.

Hong Kong Willie keeps the presence of art alive in today’s society. Wherever his art goes, a piece of him will forever be with each piece. We are very grateful for his time and his dedication to his work.

ART FOR SALE MYSTERIOSITY HONG KONG WILLIE ART . UPDATED 5 / 1 / 2024

 

To Buy call Hong Kong Willie

$176,000 U.S. Dollars
Call Hong Kong Willie Gallery 813 770 4794

Hong Kong Willie

New Tampa Patch 

By Tristram DeRoma 

The Story Behind the Eye-Catching Art at I-75 Exit 266 Tampa Florida

Folk artist Joe Brown, better known as "Hong Kong Willie," makes art with a message at his home/studio near I-75 Exit 266 Tampa Florida.

 

Sometimes, it’s the smallest experiences that have the biggest impact on a person’s life.
While attending an art class in 1958 at the age of 8, Tampa folk artist Joe Brown recalled being mesmerized by the lesson. It involved transforming a Gerber baby bottle into a piece of art.
“The Gerber bottle had no intrinsic value at all,” he said. “But when (the instructor) got through with me that day, she made me see how something so (valueless) can be valuable.”
By the time class was over, Brown learned many other lessons, too, such as the importance of volunteerism, recycling, reuse and giving back to the community. He recalled being impressed by the teacher's volunteer work in Hiroshima, Japan, helping atomic bomb survivors.
"One of the last words she ever spoke to me about that was, ‘When I left, I left out of Hong Kong,’ ” he said. After turning that over in his young brain for awhile, he decided to use it in a nickname, adding the name “Willie” a year later.
You've probably seen Hong Kong Willie's eye-catching home/gallery/studio at Fletcher Avenue and Interstate 75. But what is the story of the man behind all those buoys and discarded objects turned into art?
Brown practiced his creative skills through his younger years. But as an adult, he managed to amass a small fortune working in the materials management industry. By the the '80s, he left the business world and decided to concentrate on his art. He spent some years in the Florida Keys honing his craft and building his reputation as a folk artist. He also bought some land in Tampa near Morris Bridge Road and Fletcher Avenue where he and his family still call home.
Brown purchased the land just after the entrances and exits to I-75 were built. He said he was once offered more than $1 million for the land by a restaurant. He turned it down, he said, preferring instead to make part of the property into a studio and gallery for the creations he and his family put together.
And all of it is made of what most people would consider “trash.” Pieces of driftwood, burlap bags, doll heads, rope — anything that comes Brown’s way becomes part of his vocabulary of expression, and, in turn, becomes something else, which makes a tour of his property somewhat of a visual adventure. What at first seems like a random menagerie of glass, driftwood and pottery suddenly comes together in one's brain to form something completely different. One moment nothing, the next a powerful statement about 9/11.
One Man's Trash ...
Trash? There is no such thing, Brown seems to say through his art.
He keeps a blog about his art at hongkongwillie.blogspot.com.
In his shop, he has fashioned many smaller items out of driftwood, burlap bags and other materials into signs, purses, totes, bird feeder hangars and yard sculptures.
He sells a lot to the regular influx of University of South Florida parents and students every year who are are at first intrigued by the “buoy tree” and the odd-looking building they see as they take Exit 266 off I-75.
Brown Sells More Than Art
Of course, the real locals know Brown’s place for the quality of his worms.
If there’s one thing that Brown knows does well in the ground, it’s the Florida redworm, something he enthusiastically promotes, selling the indigenous species to customers for use in their compost piles. Some of his customers say his worms are just as good at the end of a fishing hook, though.
“To be honest, what made me come here is that they had scriptures on the top of his bait cans,” said customer John Brin. “Plus, they have good service. They’re nice and they’re kind, and they treat you like family.”
Though Brin knows Brown sells them mostly for composting, he said they are great for catching blue gill, sand perch and other local favorites. He also added that he likes getting his worms from Brown “because his bait stays alive longer than any other baits I’ve used.”
For prices and amounts, he has another blog dedicated just to worms.
Of course, many people also stop by to buy the smaller pieces of art that he and his family create: purses made of burlap, welcome signs made of driftwood, planters and other items lining the walls of his store.
He’s also helped put his mark on the decor of local establishments too, such as Gaspar’s Patio, 8448 N. 56th st.
Owner Jimmy Ciaccio said that when it came time to redecorate the restaurant several years ago, there was only one person to call for the assignment, and that was his good friend Brown.
"I’ve known Joe all my life, and we always had a good chemistry together,” Ciaccio said. "He’s very creative and fun to be around, and that’s how it all came about.”
Ciaccio says he still gets compliments all the time for the restaurant’s atmosphere he created using the “trash” supplied by Brown. He describes the style as a day at the beach, like a visit to Old Key West. “They’re so inspired, they want to decorate their own homes this way,” he said.
It’s that kind of testimony that makes Brown feel good, knowing that others, too, are inspired to create instead of throw away when they see his work. He simply lets his work speak for itself.
“Somebody once told me to keep telling the story and they will keep coming," he said, "and they always do."